Osx Ddmf Plugindoctor

Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks.

The newest member of the DDMF family: please give a very warm welcome to Envelope! The creation of this true stereo reverb effect started with the observation that somehow, whenever I’d use one of the existing reverb plugins, the sound was never quite ‘there‘.

The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: "The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each.

The Strip is the essential channel strip: an EQ, a gate and compressor bundled in one plugin. Low- and Highpass filter. Four peaking filters. Low shelf filter. Gate with variable threshold, range, attack and release to prevent unwanted noise.

The NYCompressor is the ideal workhorse when it comes to dynamics management in a mix. From gentle compression for glueing your mix together to heavy drum compression for the ultimate punch: NYCompressor can do it all.

At the end of a long day at the mixing desk, when everything has finally fallen into place, comes the best moment (just before pouring that glass of whisky): load an instance of NoLimits at the end of the chain, turn that one knob, lean back and enjoy.

Sometimes you just don’t want to spend much time on finding the ideal equalizer settings (and, with beasts like IIEQPro and LP10, you can easily lose yourself in all the options), but just turn a knob and know it will sound right, because someone else has figured out the most musical response for you.

With more and more hosts going 64 bit only, a universal, cross-platform bit bridging tool is an essential part of the toolbox of every audio engineer who doesn’t want to lose all those precious (and often legendary) 32 bit plugins still waiting to be used.

LinComp is a linear phase multiband compressor, a tool that belongs in every mastering chain. Multiband compression allows you to take care of the levels and response times of four frequency bands independently, and the linear phase crossover guarantee that all this happens with no damage done to the audio whatsoever.

Traditional EQs influence the spectrum of the whole stereo field simultaneously. L/R or Mid-Side-EQs allow you to treat the two channels or the mid and the side signal simultaneously. DirectionalEQ takes this concept one big step further: now you can equalize all directions in the stereo field independently!