Two years after the death of pianist-composer Thelonious Monk, this very unusual and quite memorable double-LP tribute was put together. Producer Hal Willner's most successful project, the 23 interpretations of Monk originals all feature a different group of all-star players and stretch beyond jazz. Some of the performances are fairly straightforward while others are quite eccentric; certainly the crazy duet on "Four in One" by altoist Gary Windo and Todd Rundgren (on synthesizers and drum machines) and the version of "Shuffle Boil" featuring John Zorn on game calls (imitating the sound of ducks) are quite unique. There are many colorful moments throughout the project and the roster of musicians is remarkable: Bobby McFerrin with Bob Dorough, Peter Frampton, Joe Jackson, Steve Lacy, Dr. John, Gil Evans, Randy Weston, Roswell Rudd, Eugene Chadbourne and Shockabilly, the Fowler Brothers, NRBQ, Steve Khan, Carla Bley, Barry Harris, Was (Not Was) and many others. There is not a slow moment or uninteresting selection on this highly recommended set.
In a Detroit classroom, two budding musicians with a love of soul and jazz became acquainted, they were guitarist Earl Klugh and drummer Gene Dunlap In 1978 Earl was a featured artist for Blue Note on an album “Blue Note Meets The L.A. Philharmonic” supported by Gene on drums. As Earl became more established as a solo performer, Gene played for him on professional dates and the affiliation continued through Earl’s solo recordings with United Artists and Liberty, part of the Capitol Records family of labels. It was Earl who took Gene to Capitol in 1981 for the two albums presented here.
“It’s Just The Way I Feel” and “The Party In Me” come from 1981, both albums ooze the quality of the period and with the benefit of Gene’s contributions in the songwriting came the classic recordings on both.
At times, McDuff demonstrates how soul-jazz organ stars used to make albums back in their '60s heyday, playing then-current pop hits like "The Age of Aquarius" and the theme from Mission: Impossible (which, thanks to cinema, was a hit all over again in 1996 when this CD was made). We also hear McDuff trying out his vocal cords for the first time on Louis Jordan's "Saturday Night Fish Fry"; actually, he merely talks the lyrics over the rhythm section – and at 70, he's entitled to this charming lark.
This album often gets dismissed by Mr Rollins' devotees and to an extent I can understand why. It is very different to his major works. It is funkier and has more electric instruments. But putting that to one side, shouldn't the album be judged by the music therein? That music is great. There is plenty of Mr Rollins' fat and meaty playing, here used to more lyrical effect perhaps than on some other albums.