Ok To Swallow

Shining, the latest album from Swallow the Sun, encapsulates the profound duality of the human experience and the band's enduring brilliance. The album explores the intrinsic challenges of being human, contrasting the beauty and purity within individuals with the transformation that occurs when we come together, chasing us away from innocence like rats from Eden. It highlights the struggle and disillusionment in human interactions. Marking 23 years of their musical progression, Shining also symbolizes the band's pride and resilience, showcasing their brightest and strongest work to date. This album is a testament to Swallow the Sun's artistic legacy, intertwining existential reflections with their characteristic majestic sound.

Why aren't there more recordings like Fly Away Little Bird? Perhaps it's because there aren't more musicians of this stature. The studio reunion of the legendarily experimental Jimmy Giuffre 3 in 1992 was reissued in 2002 on the French Sunnyside label and is a radical departure from anything the trio had done in the past. These studio apparitions of the band are their most seamlessly accessible while being wildly exploratory. In addition to the consummate improvisations and compositions by Giuffre (title track, a redone "Tumbleweed"), the tender meditations by Steve Swallow ("Fits" and "Starts"), and the bottom-register contrapuntal improves by Paul Bley ("Qualude"), this is a trio recording that uses standards such as "Lover Man," a radically and gorgeously reworked "I Can't Get Started," "Sweet and Lovely," and "All the Things You Are" to state hidden textural possibilities inside chromatic harmony. There is never the notion of restraint in the slow, easy, and proactive way these compositions are approached.

In this self-titled set, bassist and composer Steve Swallow proves his strengths in both capacities. Leading a septet that includes Steve Kuhn on piano, Carla Bley on organ, Karen Mantler on synthesizer and harmonica, Hiram Bullock on guitar, Robby Ameen on drums, and Don Alias on percussion, along with special guests Gary Burton on vibes and John Scofield on guitar, he adds yet another hue to his spectrum of colors. Swallow has always been a lively player, and here his ability to bring high-energy grooves into focus sings with vibrancy. That said, a recumbent “William And Mary” pans the camera to Bley’s organ, as do “Thirty Five” and the Scofield-centric romance of “Doin’ It Slow,” for a more touching mode of expression.

Some albums are born from necessity rather than desire. When a Shadow Is Forced Into the Light is one. After Swallow the Sun issued their triple-length magnum opus Songs from the North I, II & III in 2015, tragedy struck. Guitarist/composer Juha Raivio lost his life partner, the poet and vocalist Aleah Stanbridge, to cancer at the end of 2016. She and Raivio had formed the band Trees of Eternity but she passed before their debut was completed. He finished and released the album then went into seclusion. Upon returning, he formed the band Hallatar, composing songs from lyrics in her journals. They released No Stars Upon the Bridge in 2017. But Raivio also channeled his grief into this extended reflection on loss, sadness, heartbreak, and transformation for STS; he penned its nine songs in three weeks…

Paul Bley, Jimmy Giuffre, Steve Swallow - The Life of a Trio, Sunday (1989) {Owl Records OWL060CD rel 1990}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 214 Mb | MP3 @320 -> 160 Mb
Full Artwork @ 600 dpi (jpg) -> 91 Mb | 5% repair rar
© 1990 Owl Records | OWL060CD
Jazz / Contemporary Jazz / Avant-Garde Jazz / Chamber Jazz

The second night of the 1989 reunion in New York of the 1961-1962 Jimmy Giuffre 3 with pianist Paul Bley and (now electric) bassist Steve Swallow in some ways eclipses the first. The fact that there is more integration between the trio members as a whole than on the first evening is certainly one place to start. At the very beginning, "Sensing" – with Giuffre on soprano and Bley playing bass notes in the lowest register as Swallow enters and takes over the role and Bley moves to the middle – is a stunner, though it is only four minutes and 13 seconds long.

Jimmy Giuffre, Paul Bley, and Steve Swallow had reunited four years prior to this recording session before a live and very enthusiastic audience. On this date, they had been touring together on and off for four years and were as telepathic as in 1961 when they recorded Fusion and Thesis with Creed Taylor at Verve (yeah, the same guy who aesthetically ruined Wes Montgomery and Grover Washington, Jr.)…

Paul Bley, Jimmy Giuffre, Steve Swallow - The Life of a Trio, Saturday (1989) {Owl–Universal 0147312 rel 2001}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 173 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 300 dpi (jpg) ->17 Mb | 5% repair rar
© 1989, 2001 Owl Records / Universal Music | 0147312
Jazz / Contemporary Jazz / Avant-Garde Jazz / Chamber Jazz

The venerable Universal Music label has re-released the two Life of a Trio nights – originally issued in the early '90s on CD by France's Owl label – that featured the 1989 reunion of the 1961-1962 Jimmy Giuffre 3 of Giuffre on reeds, pianist Paul Bley, and bassist Steve Swallow. The first evening, Saturday, December 16, began with a solo clarinet improvisation by Giuffre, followed by "Black Ivory," a duet between Giuffre and Bley, and then "Owl Eyes," by solo Bley, with the tension heating up as Bley duets with Swallow on "Endless Melody," until they come together all too briefly (5:22) for "Turns."