Ole Gabrielsen Platinum

Gaucho is the seventh studio album by the American jazz rock band Steely Dan, released on November 21, 1980 by MCA Records. The sessions for Gaucho represent the band's typical penchant for studio perfectionism and obsessive recording technique. To record the album, the band used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label. Gaucho marked a significant stylistic change for Steely Dan, introducing a more minimal, groove and atmosphere-based format.

U.K. is the self-titled debut album by the progressive rock supergroup U.K., released in May 1978 through E.G. Records and Polydor Records. It features John Wetton, Eddie Jobson, Bill Bruford, and Allan Holdsworth. "In the Dead of Night" and "Mental Medication" were both edited for single release. The album was well received by FM album rock radio and by the public during the summer of 1978. In 2015 Rolling Stone magazine ranked it as the 30th best progressive rock album of all time.

The stage was set for the Police to become one of the biggest acts of the '80s, and the band delivered with the 1980 classic Zenyatta Mondatta. The album proved to be the trio's second straight number one album in the U.K., while peaking at number three in the U.S. Arguably the best Police album, Zenyatta contains perhaps the quintessential new wave anthem, the haunting "Don't Stand So Close to Me," the story of an older teacher lusting after one of his students. While other tracks follow in the same spooky path (their second Grammy-winning instrumental "Behind My Camel" and "Shadows in the Rain"), most of the material is upbeat, such as the carefree U.S./U.K. Top Ten "De Do Do Do, De Da Da Da," "Canary in a Coalmine," and "Man in a Suitcase." Sting includes his first set of politically charged lyrics in "Driven to Tears," "When the World Is Running Down, You Make the Best of What's Still Around," and "Bombs Away," which all observe the declining state of the world. While Sting would later criticize the album as not all it could have been (the band was rushed to complete the album in order to begin another tour), Zenyatta Mondatta remains one of the finest rock albums of all time.

This marriage of four players with impressive pedigrees proved to be the success story of 1982 when Asia's debut lodged itself at the top of the U.S. album charts for two months. The album spawned a massive number four single in "Heat of the Moment," a follow-up Top 20 hit in the sweeping "Only Time Will Tell," and a handful of other tracks that received heavy radio play despite going against the grain of the new wave styling of the day. Produced by Mike Stone, Asia's strengths were the powerful vocals of John Wetton, the nimble, classically tinged guitar work of Steve Howe, Geoffrey Downes' majestic keyboard playing, and anchoring the band, Carl Palmer's propulsive drumming. The lyrics are overwrought at moments, but there's no denying the epic grandeur of the music, which provided some much-needed muscle to radio at the time, and did so with style.

While mostly accurate, dismissing Never Mind the Bollocks as merely a series of loud, ragged midtempo rockers with a harsh, grating vocalist and not much melody would be a terrible error. Already anthemic songs are rendered positively transcendent by Johnny Rotten's rabid, foaming delivery. His bitterly sarcastic attacks on pretentious affectation and the very foundations of British society were all carried out in the most confrontational, impolite manner possible. Most imitators of the Pistols' angry nihilism missed the point: underneath the shock tactics and theatrical negativity were social critiques carefully designed for maximum impact.

In less than 24 months, Taj Mahal (guitars/vocals/banjo/harmonica) had issued the equivalent of four respective long-players. The electric Giant Step was released alongside the acoustic and decidedly rural De Ole Folks at Home. The nine cuts on Giant Step feature support from the instrumental trio of Jesse Ed Davis (guitar/keyboards), Gary Gilmore (bass), and Chuck Blackwell (drums). They back Taj Mahal on a wide selection of covers ranging from Carole King and Gerry Goffin's "Take a Giant Step" to the upbeat and soulful reading of the Huddie Ledbetter blues staple "Keep Your Hands Off Her." The arrangements are unique and offer the artist's distinctive approach. Nowhere is this more evident than the practically jovial midtempo "Good Morning Little Schoolgirl" or the freewheeling abandon brought to the 18-wheeler anthem "Six Days on the Road"…

The Rolling Stones Olé Olé Olé!: A Trip Across Latin America is a feature documentary that follows the Rolling Stones’ tour of early 2016 through 10 Latin American cities. The film combines electrifying live performances from across the tour and from their historic tour finale as the first ever rock band to perform to an audience of 1.2 million in Havana, with an intimate insight into the world of The Rolling Stone.