Ole Gabrielsen Platinum

From the quality series "Platinum collection", this triple album released in 2008, contains 60 selections from the huge and versatile repertoire of the legendary Franck Pourcel and his string orchestra. The first and second CD offer about two hours of great pop and all time instrumental hits, included in Pourcel's albums released from 1961 till 1984. The last CD is dedicated to the Pourcel's classical side, so it contains 20 renditions of timeless classic tunes, arranged for the rich in violins, famous easy listening orchestra of Franck Pourcel. A nostalgic album.

''Good Ole Days'' celebrates country legend Tracy Lawrence's indelible mark on country traditionalism with an album of 11 duets pairing a selection of his most iconic hits with some of country and rock's contemporary superstars and newcomers. ''There's such a hunger out there for the music from my era - I hear that from so many people, so I felt like this was a good time to kind of blend the old and the new,'' said Tracy.

In 3 cd al prezzo di uno i temi più famosi del repertorio classico interpretati dai più celebri artisti.
57 Brani dal Barocco al '900 con i più grandi capolavori per oltre 3 ore di grande musica firmata Deutsche Grammophon.

Platinum Soul Legends 1960-1975 is a 3CD box set compilation released in 2002. Put out by Warner Strategic Marketing in the UK, it primarily consists of material from the Warner Music catalog but also features songs from Motown and Sony.

Olé Coltrane is the 1961 album by American jazz saxophonist John Coltrane. Originally released by Atlantic Records, this 2000 remaster from Rhino features one bonus track. It is part of Rhino's Atlantic Jazz Gallery series.

Speak English Or Die is the 1985 debut album by New York hardcore band Stormtroopers Of Death, also known as S.O.D. This was a side project by two members of Anthrax, a former member of Anthrax (who would form Nuclear Assault) and friend Billy Milano. Two years after the album's release, Megaforce Records released the album on CD with a track originally placed on a compilation album. This first version is considered "unremastered". The album was remastered in 1999 with live tracks recorded during the group's reunion tour.

1997 release, a two-on-one (and part of EMI's Centenary series) for this pair of 1960 albums by the songstress, eachwith a bonus track! 'Latin Ala Lee!' adds ''Till There Was You'; 'Ole Ala Lee!' adds 'Together Wherever We Go'. 24 tracks total.

“The complicated rhythm patterns and diverse sonic textures on Ole are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick – over and beyond his appreciable musical skills – guides works such as this to new levels, ultimately advancing the entire art form. Historically, it's worth noting that recording had already commenced – two days prior to this session – on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. The two discs complement each other, suggesting a shift in the larger scheme of Coltrane's musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane (soprano/tenor sax), McCoy Tyner (piano), and Elvin Jones (drums), with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with Freddie Hubbard (trumpet) and Eric Dolphy (flute and alto sax). Dolphy's contract with another record label prevented him from being properly credited on initial pressings of the album. The title track is striking in its resemblance to the Spanish influence heard on Miles Davis' Sketches of Spain. This is taken a bit further as Coltrane's combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. "Ole" likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that assuredly excited Coltrane, who was perpetually searching from outside the norms. The haunting beauty of "Aisha" stands as one of the finest collaborative efforts between Tyner – the song's author – and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel”.