Since its release in 1988, Dreamtime Return has earned its reputation as a genuine classic. The two-CD magnum opus is one of the most important, widely known and highly respected release in Steve Roach’s vast body of work. It serves as an essential benchmark within the Electronic-Ethno-Atmospheric genre.
Roach’s travels in the Australian outback, along with studies of the Aboriginal Dreamtime, and his desert walkabouts in California were the lifeblood for this recording which even today sounds like a transmission from the near future and the very distant past.
Musically Dreamtime Return richly deserves its classic status, but Roach also deserves credit for leading electronic musicians out of their sheltered studios and into an active relationship with the landscape..
Phil Miller is an English progressive rock/jazz guitarist who is part of the Canterbury scene. In addition to his solo work, he has played in Hatfield and the North, National Health, and Matching Mole. He has released a number of solo albums, some with his group In Cahoots.
After the demise of National Health, he began preparing for a solo career that began with "Cutting Both Ways" (1987) and continues to this day. This was the first album released under his own name, and the first album to feature his band In Cahoots, who are pretty much of a supergroup themselves: Hugh Hopper - bass (Soft Machine), Elton Dean - saxes (Soft Machine), Peter Lemer - keyboards (Gilgamesh, Mike Oldfield, Pierre Moerlen's Gong) & Pip Pyle - drums (Gong, Hatfield, National Health)…
This California-based guitarist was actually born in Germany. His inspiration and style are similar to that of another German immigrant, Deuter, who co-produced and performed on Govi's debut album Sky High. Like Deuter, Govi spent a number of years living and studying in India, where he added sitar to his vocabulary of acoustic and electric guitars, mandola, and cello.Govi's music gained in popularity in the 1990s, with the expansion of peoples awareness of world music and a renewed passion for flamenco, spawning new age hit albums like Andalusian Nights and Passion and Grace. His music is a gentle, melodious combination of influences from around the world.
Mark Dwane is unquestionably one of the masters of guitar synthesis. Dwane weaves imaginative landscapes, emotional crescendos, and breathless wonder through his instruments. It all becomes the soundtrack to a journey inside another world. Cinematic music that paints the sky in electronic colors. Dwane is creating truly modern music, born of technology and draped around imagery of possible futures and past mythologies. After listening to Mark Dwane's compositions, you feel like you've really been somewhere.
Featuring 12 mini-CDs that feature three tracks each for the most part (one has four). Each mini-CD comes in an individual case. The 12 A-sides featured include early classics such as "Seven Seas of Rhye," "Killer Queen," and "Somebody to Love," as well as mid-career hits "Crazy Little Thing Called Love" and "Under Pressure," and latter-day favorites "Radio Ga Ga," "A Kind of Magic." Also included are the non-album B-sides "See What a Fool I've Been," "Soul Brother," "I Go Crazy," and "A Dozen Red Roses for My Darling" (others, such as "A Human Body," "Blurred Vision," and the single "Thank God It's Christmas," are not).
The German Electronics artist Robert Schroeder (discovered 1978 by EM pioneer Klaus Schulze) has produced numerous excellent solo CDs as well as his success album Double Fantasy / Universal Ave., which reached the US Charts in the end of the 80s. The music of Robert Schroeder is various, but always soulful. He combines spherical synthesizer sounds with modern rhythmical contrasts, often supplemented by spacey guitars and sometimes also by piano, cello or voices. Schroeder's music spectrum includes Electronic, Ambient, Chill-Out, Lounge, Adventure and Trip-Hop. Electronic Music in the widest sense is the musical style of this artist who has his roots in the music of Klaus Schulze, Can and Pink Floyd.
Pererin, meaning "Piligrim" in Welsh, is to Wales what Runrig has been to Scotland, only more so. They perform traditional and traditionally inspired original material that combines spiritual and romantic themes with a strong helping of Nationalistic pride and a desire to preserve their own unique culture. They sang only in Welsh, and even English sleeve notes are even hard to find.
Teithgan (1981). Guerssen Records reissue this awesome second longplayer by Welsh psychedelic folk-rockers Pererin. Originally released in 1981 on the Gwerin label, this is an album of traditional Welsh folk meets rock, with psychedelic guitar leads, flute, and male and female vocals. For many this album is the band's best work, and it's definitely the rarest one. Definitely one of the best albums of the genre…
The German Electronics artist Robert Schroeder (discovered 1978 by EM pioneer Klaus Schulze) has produced numerous excellent solo CDs as well as his success album Double Fantasy / Universal Ave., which reached the US Charts in the end of the 80s. The music of Robert Schroeder is various, but always soulful. He combines spherical synthesizer sounds with modern rhythmical contrasts, often supplemented by spacey guitars and sometimes also by piano, cello or voices. Schroeder's music spectrum includes Electronic, Ambient, Chill-Out, Lounge, Adventure and Trip-Hop. Electronic Music in the widest sense is the musical style of this artist who has his roots in the music of Klaus Schulze, Can and Pink Floyd.
Pererin, meaning "Piligrim" in Welsh, is to Wales what Runrig has been to Scotland, only more so. They perform traditional and traditionally inspired original material that combines spiritual and romantic themes with a strong helping of Nationalistic pride and a desire to preserve their own unique culture. They sang only in Welsh, and even English sleeve notes are even hard to find.
Teithgan (1981). Guerssen Records reissue this awesome second longplayer by Welsh psychedelic folk-rockers Pererin. Originally released in 1981 on the Gwerin label, this is an album of traditional Welsh folk meets rock, with psychedelic guitar leads, flute, and male and female vocals. For many this album is the band's best work, and it's definitely the rarest one. Definitely one of the best albums of the genre…
Friend Of Mine (1976). Recorded in the wake of the collapse of Stax Records in 1976, Friend of Mine brushed up against a long fallow period in Little Milton's recorded output, and was also unavailable for many years, thus making it one of his least-known albums. Produced by Milton for Henry Stone's TK Records and issued on the Glades Records imprint, this is a soulful blues workout drenched in sweaty vocals and long, sustained performances, of which perhaps the best is the five-and-a-half-minute "You're Gonna Make Me Cry," which also includes some impressive guitar. The record's strongest body of songs are the smooth soul ballads such as "Baby It Ain't No Way," the rousing "Don't Turn Away" (a song that one wishes Elvis Presley could have discovered and considered covering)…