One Cut of The Dead 2017

Universal Music will mark the 40th anniversary of Queen‘s 1977 album News Of The World with a three / five-disc super deluxe edition.

Released in order to coincide with the kick-off of the band's This House Is Not For Sale Tour in North America, this is Bon Jovi's career-spanning box set, a massive and impressive collectible item. Including all 14 studio albums across 25 vinyl LPs, plus an extra disc exclusive to this release, the box set, also, features Jon Bon Jovi's 2 solo records…

North Mississippi Allstars - Prayer for Peace (2017) {Songs Of The South Records 88985423992} (Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 264 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (jpg) -> 101 Mb | 5% repair rar
© 2017 Songs Of The South Records / Legacy / Sony Music | 88985423992
Rock / Blues Rock / American Trad Rock / Americana

The North Mississippi Allstars celebrate their 20th anniversary (21st, actually) by going all the way back to their roots. Prayer for Peace is a set comprised mostly of blues and folk covers played by Luther & Cody Dickinson assisted by a cast of friends and longstanding collaborators. While five tracks were tracked at Grand Royal Studios in Memphis with co-producer Boo Mitchell, the remainder of the 11 tunes were cut all over the country with a host of guest musicians.

Noel Gallagher's High Flying Birds - Who Built The Moon? (2017) {Sour Mash JDNCCD27} (Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 339 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 600 dpi (jpg) -> 127 Mb | 5% repair rar
© 2017 Sour Mash Records | JDNCCD27
Rock / Indie Rock / Alternative Rock

It's hard to blame Noel Gallagher for opting for stability over adventure once he disbanded Oasis. After spending nearly 20 years battling his brother Liam, he needed to take things easy, and if his solo records – Noel Gallagher's High Flying Birds (2011) and Chasing Yesterday (2015) – were a little too calm, consider it a consequence of navigating himself out of chaos. Despite achieving solo success, Gallagher seemed to have a nagging voice in the back of his head that he'd ceded the psychedelic ground he claimed at the height of Brit-pop. That voice began to beckon when he first launched his solo career, leading him to cut an album with trippy production team Amorphous Androgynous in 2011 but, unsatisfied with the results, he scrapped the project.