Opus From Nr.66, Februari Mars 2016

Alfred de Vigny’s Cinq-Mars, published in 1826, is regarded as the first great historical novel in French. The action is set in the seventeenth century: the Marquis de Cinq-Mars gains the esteem of King Louis XIII by organising a movement of opposition to Cardinal Richelieu. But manipulations, betrayals and plots force the monarch to abandon his champion and allow Richelieu to triumph and condemn Cinq-Mars and his friend De Thou to death. It was at the request of the director of the Opéra-Comique Léon Carvalho, attracted by the idea of a musical setting of the novel, that Gounod agreed to return to the forefront of the operatic scene in 1877, after an absence of ten years.

Bridge to Mars a power-trio from Stockholm Sweden. Their debut self-titled album was released 26/2 2016. With influences like Led Zeppelin, Thin Lizzy, Yes, The Black Crowes, The Who, Soundgarden, Rush, Black Sabbath, Van Halen and yes … ABBA! they´ve managed to create their own unique sound.

La collana che porta dalla Casa del Jazz in edicola i grandi musicisti jazz del nostro Paese con una serie di dicotto live esclusivi, una panoramica sulla musica d'improvvisazione in Italia, sarà in tutte le edicole mercoledì 16 marzo con la seconda uscita "Live from Mars" di Stefano Bollani.

Billy Bragg & Joe Henry - Shine a Light: Field Recordings from the Great American Railroad (2016) {Cooking Vinyl COOKCD623}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 271 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (jpg) -> 156 Mb | 5% repair rar
© 2016 Billy Bragg / Cooking Vinyl | COOKCD623
Acoustic / Folk / Blues / Americana

In March 2016 Billy Bragg and Joe Henry, guitars in hand, boarded a Los Angeles-bound train at Chicago’s Union Station looking to reconnect with the culture of American railroad travel and the music it inspired. Winding along 2,728 miles of track over four days, the pair recorded classic railroad songs in waiting rooms and at trackside while the train paused to pick up passengers.

The patronage of elite Highland pipers collapsed after the Jacobite rebellion of 1745. Worried that the classical music of the Gaels would fade away, the English-speaking gentry offered prize money for scientific notations. By 1797, Colin Campbell had written 377 pages in a unique notation based on the vocables of Hebridean ‘mouth music’, but – unintelligible to the judges in Edinburgh – Campbell’s extraordinary work of preservation has remained overlooked or misunderstood until now.