Ordinary Milet

Polish composer/multi-instrumentalist/vocalist Rafał Żak is an amazing artist, and his one-man project, Ordinary Brainwash, is pretty fascinating. On his third LP, Me 2.0, he blends industrial progressive rock with exceptional songwriting and affective arrangements to create a stellar package. Really, his compositions feel more impassioned and intriguing that a lot of new music written by full bands. The follow-up to his debut, Disorder in my Head, and sophomore release, Labeled Out Loud, Me 2.0 continues to house his accessible blend of "beautiful melodies, original lyrics and startling compositions." Truthfully, there's a lot of Riverside and Lunatic Soul (two other Polish outfits) here, so it goes without saying that the mastermind behind those groups, Mariusz Duda, is likely a strong influence here…

Dreams of Ordinary Men is the eighth studio album recorded by Australian-New Zealand rock band Dragon. The album was released in August 1986 and peaked at number 18 on the Australian Kent Music Report and was certified platinum in November 1986. During the '70s, the notoriously decadent Dragon was among the biggest rock bands in New Zealand, gaining even greater success on the Australian circuit. Dragon's history begins with brothers Todd and Marc Hunter, natives of the North Island town of Taumarunui; from childhood on, the siblings performed professionally in their parents' jazz band, with Todd learning guitar and Marc picking up the drums. As the years passed, both Hunter brothers played in a variety of local bands, both together and independently; Dragon emerged in 1973 from the remnants of Staff, a group featuring Todd on bass, in addition to singer/pianist Graeme Collins, guitarist Ray Goodwin, and drummer Neil Reynolds…

The road to Ordinary Man was anything but ordinary. Osbourne started working on the LP after a serious fall forced him to postpone touring plans. During the tedious process of recovery, the Prince of Darkness found comfort by working on new material. “If it wasn’t for making this record, I would still be on traction, thinking, ‘I’m going to be lying here forever,'" the 71-year-old rocker previously confessed. "I’ve missed music so badly. My fans are so loyal and so good. Up until making the album, I thought I was dying. But that got me off my arse. … It’s the greatest album I’ve done.” Ordinary Man notably includes some high-profile collaborations, including Elton John, Guns N’ Roses’ Slash and Duff McKagan and Red Hot Chili Peppers drummer Chad Smith.

The most extreme thing about Deafheaven’s remarkable fourth album is how subdued it sounds. It suggests devastation without placing you at the center of it.

Ordinary Average Guy is the ninth solo studio album by the American singer-songwriter and multi-instrumentalist Joe Walsh. The album was released in mid 1991. It was Walsh's first album of entirely new music since Got Any Gum? in 1987, and his first solo album to be issued internationally by Epic following a four-year alliance with Warner Bros. Records in the United States and Canada. The album features Ringo Starr, Survivor's lead vocalist Jimi Jamison, and the drummer Joe Vitale from Walsh's former band Barnstorm. Vitale also sings the lead vocals on the final track of the album, "School Days".

CAMERA SOUL is a powerful jazz-funk ensemble, produced by Mr. Marco Rossi of Azzurra Music (Verona) and released and marketed in the Americas by Kathryn Ballard Shut of TIMKAT Entertainment (Denver, Colorado). Inspired by legendary horn line, soul, R&B, and jazz-fusion artists such as Earth, Wind and Fire, The Commodores, Tower of Power, and Stevie Wonder, as well as neo-soul grooves by Incognito, Erykah Badu, and Jamiroquai, the group is based out of southern Italy (Bari), and led by veteran composer-arranger brothers Piero and Pippo Lombardo.

For most intents and purposes, No Ordinary World is an ordinary latter-day Joe Cocker album, filled with slick but impassioned ballads, moderately paced rockers, and smooth adult contemporary pop songs. The thing is, this is just a cut above average, thanks to uniformly fine performances from Cocker and a strong set of songs. Yes, at 14 songs, there are inevitably a couple of slow patches, but there are not only good covers here ("First We Take Manhattan," "While You See a Chance") but some good professionally crafted tunes like "Different Roads," the title track, and the Michael McDonald/Tony Joe White composition, "Where Would I Be Now." No Ordinary World may not erase memories of the fiery early Cocker albums, nor is it quite as memorable as the best of his latter-day work, but for longtime fans, it's a nice, satisfying listen.

On Sacred Ordinary Paul's artistry of creating a palette of rich emotional sounds sets a foundation from which he weaves a series of electronic web like pieces with a keen sense of melodic invention and dimensional symmetry. There is an hint of nostalgia in these tracks as well if one has been privy to the classic melodic sequencer style electronic music periods over the past few decades. This brings another kind of depth to the experience while at the same time this music is really about the here and now as it unfolds with a kind a graceful patience and awareness to detail that keeps pulling you in deeper with each play.

Ordinary Man is the twelfth studio album by English heavy metal singer Ozzy Osbourne. It was released on 21 February 2020 through Epic Records. It was produced by Andrew Watt and Louis Bell. This is the longest gap between two albums from Osbourne to date, spanning almost ten years since Scream. The first single of the album, "Under the Graveyard", was released on 8 November 2019. The second single, "Straight to Hell", was released on 22 November 2019. The third single and title track featuring singer Elton John was released on 10 January 2020. The fourth single "It's a Raid" featuring Post Malone was released on 20 February 2020, a day before the release of the album. The album received mainly positive reviews, with many considering it Osbourne's best album in years and favorably comparing it to both his early solo work and Black Sabbath.

Produced by Chuck Leavell, Warren Haynes' first solo album is a refreshing change of pace from his work with the latter-day incarnation of the Allman Brothers Band. Although the feel of this album is undeniably classic rock, with much of Free's bluesy swagger, it is also vaguely reminiscent of '80s rock at times (check out the Mr. Big-esque verse to "Fire in the Kitchen"). The focus on Tales of Ordinary Madness is clearly on Haynes' songwriting chops. For the most part, the songs on this record are tight and concise, focusing on immediate riffs, gritty vocals, and cool arrangements to sell them.