Oscillations I Can See It Coming

As Far As I Can See… is the fourth studio album by the British rock band the Zombies, and their first since 1991. Billed as "The Zombies" but it's actually Blunstone and Argent again. Joining Blunstone and Argent in the studio for As Far As I Can See… was a band that consisted of longtime friend Jim Rodford, his son Steve, and guitarist Keith Airey. Original Zombie member Chris White contributed also background vocals and Paul Atkinson championed the album shortly before his death from liver and kidney.

Johnny Nash - I Can See Clearly Now (1972) {2011 Remastered & Expanded Reissue - Big Break Records CDBBR 0064)
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© 1972, 2011 Epic / Sony Music / Big Break Records / Cherry Red | CDBBR 0064
R&B / Reggae / Pop-Soul / Soul / Reggae-Pop

Once billed as a singer of romantic standards in the style of Johnny Mathis, JOHNNY NASH achieved his greatest success when he visited Jamaica in the 1960s and developed his world-famous reggae-influenced style.For his 1972 album I Can See Clearly Now, Nash worked with Bob Marley and the Wailers, then still a struggling group from Kingston, Jamaica. Marley wrote or co-wrote several songs, and Nash used the group as his backing musicians on the album.

The collection of sixteen songs shares its name with the current exhibition at the Country Music Hall of Fame, Bill Anderson: As Far As I Can See, and comes from the opening line of one of the first songs he ever wrote, “City Lights,” the country classic that was a hit for Ray Price in 1958 In addition to such beloved songs as “City Lights,” “Still,” Po’ Folks,” The Tip Of My Fingers,” and “Sometimes,” the album features a new song with country icon Dolly Parton, “Someday It’ll All Make Sense.” The newly recorded duet is joined by Anderson and Parton’s first-ever collaboration, an incredibly rare demo of “If It Is All The Same To You,” recorded in 1964 and eventually released as a duet with Jan Howard on Anderson’s chart-topping 1969 album of the same name. As Far As I Can See: The Best Of, is being released by MCA Nashville/UMe, which has been Anderson’s label home for most of his seven-decade long career.

"I felt totally unrestrained making this album" says Lindstrøm about his 6th solo album On A Clear Day I Can See You Forever (a title inspired by the 1970’s musical On A Clear Day You Can See Forever starring Barbra Streisand). "I’ve listened to Robert Wyatt's solo albums and his Matching Mole’s debut album a lot lately. It so effortless, fearless and free. And not insisting. I was very inspired by this." In the autumn of 2018, Lindstrøm composed a commissioned piece for Norway’s premiere art centre Henie Onstad Kunstsenter. Sketches from the three sold-out performances became the foundation for the new tracks. "I decided to keep some of the initial ideas and develop them further. All the songs are based on long one-take recordings", says Lindstrøm "Also I’ve been very conscious about the music on the album not exceeding the length of the physical limitations of the vinyl-format, finding that 2 long tracks on each side were the perfect balance for this album."