This CD was blue tune published as bootleg release unknown and was recorded in Montraux 09.07.1986. Includes a few other titles you as the official Cd. Include Eric clapton and Luther Allison,sound is excellent as the official Cd.
Otis Rush and Buddy Guy were hot young Chicago guitar slingers in the 1950s, when legends like Muddy Waters and Howlin' Wolf ruled the Second City. Rush was renowned for his nasty, over-amplified guitar sound, and songs like "All Your Love" and "Double Trouble" were seminal touchstones for such `60s British guitarists as Eric Clapton and Peter Green. Rush has lately been known more for live shows than records, and 1994's Ain't Enough Comin' In succeeded because it was programmed like a great concert set, with fat guitar solos that suggested Albert King in a sweat, and songs that drew from both the blues and soul songbooks. Rush sounds great singing Sam Cooke's good-news gospel ("Somebody Have Mercy" and "Ain't That Good News") and pays his propers to Ray Charles on "A Fool for You." Exciting takes on epic tunes associated with B.B. King ("It's My Own Fault") and Albert King ("As the Years Go Passing By") also leave no doubt that Rush hasn't forgotten how to burn down the house.
Blues Interaction - Live In Japan 1986 Is a 1986 live album by blues singer and guitarist Otis Rush. Recorded with local Japanese band Break Down, the album has been panned by many critics because of what was considered to be the backing band's rudimentary knowledge of blues music.[citation needed] Ironically, Rush has dual citizenship in the United States and Japan.[citation needed] His current wife is a native of the country. Originally the album was released in Japan only by P-Vine Records but was subsequently released in 1996 in the United Kingdom by Sequel Records.
This 1986 concert by Otis Rush was the first of four appeances that the legendary bluesman has made at the Montreux Festival to date. This particular night turned out to be a very special one when he was joined on stage by first Eric Clapton and then Luther Allison as they rockedtheir way through a set of Otis Rush classics and blues standards in a truly unforgettable performance.
Inconsistent but sometimes riveting 1975 studio set that hits some high highs (a crunchy "Cut You a Loose," the lickety-split jazzy instrumental "Motoring Along") right alongside some incredibly indulgent moments. But that's Otis – the transcendent instants are worth the hassle. Breaking into the R&B Top Ten his very first time out in 1956 with the startlingly intense slow blues "I Can't Quit You Baby," southpaw guitarist Otis Rush subsequently established himself as one of the premier bluesmen on the Chicago circuit. Rush was often credited with being one of the architects of the West Side guitar style, along with Magic Sam and Buddy Guy. It was a nebulous honor, since Rush played clubs on Chicago's South Side just as frequently during the sound's late-'50s incubation period.
Otis Rush is a stunning vocalist, innovative guitarist and songwriter who has hugely influenced blues and rock artists, including Johnny Winter, Stevie Ray Vaughan (whose band, Double Trouble, was named after Rush's song of the same name), Jeff Beck, and Carlos Santana. Rush was inspired to become a bluesman after he moved to Chicago in the late forties and saw Muddy Waters and Howlin' Wolf perform. Along with Buddy Guy and Magic Slim, Rush developed a playing style that would become known as the "West Side sound," an emotionally intense combination of guitar licks and expressive vocals, with an urban sound that signified a departure from classic Mississippi Delta blues.