Otis Rush's crunching guitar and vocals were never more emphatic than during the '70s when it seemed that he would actually find the pop attention and mass stardom he deserved. These mid-'70s tracks were originally cut for the Black and Blue label, with Rush playing grinding, relentless riffs and creating waves of sonic brilliance through creatively repeated motifs, jagged notes, and sustained lines and licks, while hollering, screaming, moaning, and wailing. Jimmy Dawkins, an outstanding lead artist in his own right, has also long been one of Chicago's great rhythm artists and shows it by adding plenty of tinkling, crackling figures and lines in the backgrounds. While not as consistently riveting as his live Evidence date, this one is also a valuable Rush document.
Recorded in France back in 1977, this ten-song set finds Otis backed by strong trio support throughout in a delightfully engaged performance. Though several live albums exist on him, seldom has his declamatory vocals and stinging left-handed upside down guitar style been so well documented. Rush puts forth solo after solo, each with its own unique set of twists and turns, making this a veritable textbook of what he does best. Inspired listening and highly recommended.
Recorded live outdoors in a Tokyo park in the Summer of 1975 with thousands of fans hanging on every note and word, Otis digs deep and delivers some of the most inspired singing and playing he's ever comitted to magnetic tape. All the performances are of a nice, comfortable lenth with none of the interminable soloing that mars other Rush live sets. This is the one to have.
The music on thie album is 54 years old and represents four years of intensive effort when the artist concerned was at a creativ peak,at the forefront of a dynamic development in Chicago blues.A decade later it made a significant contribution to a major trend in popular music. Tracks 1-16 Original COBRA recordings,Tracks 17-22 Original CHESS recordings.