First LP by this BELGIAN progressive soul-jazz band featuring members of Plus, El Chicles and Chakachas, recorded 1970 in Brussels and originally released on the “Polydor” label in Belgium and Canada only…
If you are somewhat more intensively with the Hamburg blues band, so you will notice that they often longer need something, until a new sound is born of the world.
Good thing will have just while, and so far the wait was worth whatever, what was the group especially for the excellent live-album, with a real highlight of the sound produced, as well as the musical quality managed the band. Why so good old habits differ from? But with the current CD "Mad Dog Blues", there were really good reasons for the delay of release date….
A live studio electric Chicago Blues and beyond record by the very TOP NYC blues cats. It is as authentic and driving as blues ever gets. Turn up loud and enjoy! Brooklyn Blues is the culmination of a few blues musicians walking into a recording studio with their gear, plugging in and rolling tape. That of course, is an over-simplification of the recording process, but it’s all the listener really needs to concern themselves with. Big Apple Blues is not a homage, but a continuation to the ‘living record’ of the Chicago-style electric blues of mid-century Middle America. The sound of this record didn’t have to be manufactured, it emanated from the hands and lungs of the musicians performing the essential American art form.
The Mojo Blues Band is a blues band around Erik Trauner, dedicated to the Chicago blues in changing occupation since 1977. The models include muddy waters, Jimmy Reed, Sonny Boy Williamson, and T-Bone Walker. But every effort to develop an own musical handwriting and maintain the Mojo Blues Band. The band in the hit was successful with the song "Rosa Lee".The name comes from the term Mojo magic describing a kind of Talisman in the Voodoo. This word is very commonly used in blues and rock and roll and was disseminated to worldwide. Erik Trauner quoted including muddy waters: I've got my Mojo working, but it just don't work on you.
One of the forgotten classics of the late-'60s American blues scene, the Colwell-Winfield Blues Band once opened for Led Zeppelin, and that would appear to be their greatest claim to fame - until you play the group's debut album, a hulking slab of blistered fusion that packs some of the most intriguing arrangements of the age. It features some of the most surreal imagery as well: "Paper bags hold degenerate dreams, fill my world with unnatural scenes," bellows the aptly named Moose Sorrento during the opening "Free Will Fantasy." And so the Colwell-Winfield Blues Band get on with proving what a lot of people had been saying all year long - that the best jazz-rock-blues band of 1968 was only getting better…
This Dutch blues band was formed in the Hague around 1967, becoming a regular outfit from 1969. The early line-up included Bjorn Toll (vocals), John Lagrand (harmonica), Ted Oberg (guitar), Ruud Fransen (bass) and Niek Dijkhuys (drums) but although the name remained wholesale changes soon took place, bringing in a new singer, Nicko Christiansen, and new bass and drums, Peter Kleinjan and Beer Klaasse, the latter pair being swiftly replaced by Gerard Strutbaum and Cesar Zuiderwijk, while keyboard player Henk Smitskamp was added…
Javier Vargas is a Spanish blues guitarist. Born in Madrid to Argentine parents who had emigrated to Spain from Buenos Aires, he founded the Vargas Blues Band in 1991, the year they released their first recording, All Around Blues. Since 1992, he has recorded on the Dro-Atlantic (Warner Music Group, Spain) label. He leads the project Vargas, Bogert & Appice + Shortino, with bassist Tim Bogert, Carmine Appice on drums, and singer Paul Shortino. He has collaborated with musicians like Paco de Lucía, Buddy Guy, Frank Marino, Carlos Santana, Pat Travers, Glenn Hughes, Prince, Devon Allman and countless more. He regularly tours Europe and Spain with his band and appeared at the 30th Anniversary Montreux Jazz Festival.
CD album released by the 'Vargas Blues Band', founded and led by blues and rock Spanish guitarist Javier Vargas (Madrid, 1958). Vargas made the first completely instrumental album of the band and provides a clear renewal of their creations, fusing the sound of the guitar, with all its variations and shades of blues, rock, flamenco and Latin styles touch-with the sound of synthesizers, drum rhythm and special sound effects. Very remarkable one of his greatest creations, 'Blues Latino', issue the same Carlos Santana has recorded and incorporated into their repertoire. Leading this band a major figure of current blues Spanish guitars, spoken of as the relay of the great Mexican guitarist Carlos Santana.