Few label founders loom as large in the history of underground music as P.S.F Record's Hideo Ikeezumi. Over three decades and more than 200 titles, Ikeezumi's intensely critical ear guided and assembled a body of music that transcended genre; he exclusively championed artists that were uncompromising in their visions, unconcerned with trends or commercial success.
A deluxe 4cd set and a 2cd set. The annoying thing is that the 2cd set has a few songs that arent on the mega 4 disc version, so if you're a completist, you will need both and you end up with a lot of duplicate material. That is my only real problem with mofo, pretty much everything else about this box is fantastic. For me, the best part is the beautiul remaster of the original 1966 Stereo mix of "Freak Out!". The Freak Out cd that frank released in the 80's and is currently in print through rykodisc was a re-mix which sounds pretty good, but this original mix is much warmer and full of life. There is no contest as which mix I prefer, the original 1966 version is far superior in my opinion. The rest of the sets contains various alternate mixes, backing tracks, interviews, studio improvisations (all lead by Frank) and some early live recordings. There is one bonafide outtake "Groupie Bang Bang" which is as good as anything elese on the album. A great Bo Diddley type rhythm with hilarious lyrics (sung by Ray Collins) about, you guessed it, a groupie!
Another lost gem for lovers of Japanese psych and hard rock, this time from the inspirational ‘70s prog outfit, Strawberry Path. From its extremely cool front cover to the last track, this is an album that will appeal to garage fans, psych heads, mondo music lovers and acid freaks alike, merging as it does a variety of Western influences, ranging from Jimi Hendrix (check out Shigeru Narumo’s hard psych guitar) to Black Sabbath, Led Zeppelin and Deep Purple. Originally relased in 1971, Strawberry Path were the forerunners of Japanese Flied Egg, one of the most influential Japanese prog bands to emerge in the ‘70s.
Particles presents the first ever box set anthology of Ireland's 1960s rock music scene. Only two long-out-of-print compilations have ever emerged to profile Ireland's rock roots, making this anthology doubly inviting. From the R&B/blues scene in Belfast to the late 1960s psychedelia of Dublin, People! Let's Freak Out reveals a wider account of the beat scene, and its transition into psychedelia and blues rock. While Ireland has never been given equal acclaim to that of its neighboring England, it nevertheless produced some of the most iconic and influential bands of the period. As Van Morrison and Them were leaving Belfast for London, a slew of new hopefuls arrived to establish their own niche under the nose of the dominant showband scene. Compiled here, are 125 original recordings featuring various groups from Eire and Northern Ireland, some of whom went on to huge success in the 1970s. From Ian Whitcomb to Eire Apparent, The Bye-Laws to the Belfast Gypsies and Gentry to Sugar Shack, People! Let's Freak Out is a fascinating account of Ireland's more obscure and vibrant music scene of the 1960s. Spanning five discs with rare and previously unreleased recording People! Let's Freak Out offers an excellent companion to similar anthologies such as Nuggets, Rubble, and Buried Alive.
Brand New Selection Of Extended 12" Mixes Of Soul, Funk & Disco Classics. Soul music (often referred to simply as soul) is a popular music genre that originated in the United States in the late 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues and jazz. Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential in the civil rights era. Soul also became popular around the world, directly influencing rock music and the music of Africa.
Lost 80s presents 63 tracks compiled and themed by Gary Crowley disc by disc, from 'Jingly Jangly' indie-pop 7"s to the extended 12" that so much marked the era. Many of these tracks are rare and very hard to find having not appeared on any CDs before.
Fifty years after the three-day concert made rock’n’roll history, a gargantuan, 38-disc set attempts to tell the full story of the event for the very first time. The mythological status of 1969’s Woodstock Music and Arts Festival can sometimes feel overpowering. The festival is the ultimate expression of the 1960s. Moments from the three-day concert have crystallized as symbols of the era, with details like Richie Havens’ acoustic prayer for freedom, Roger Daltrey’s fringed leather vest, or Jimi Hendrix’s “Star Spangled Banner” held up as sacred countercultural relics.