Rush's career reached an important milestone in 2011 – the 30th anniversary of the release of the band's masterpiece, Moving Pictures. Its U.S. sales of more than four million copies shows that this is the album that even casual fans like. (Even those who don't "like" Rush tend to like "Tom Sawyer.") The Canadian trio celebrated the 1981 best-seller with the Time Machine tour, featuring a performance of the album in its entirety. The two-CD set Time Machine 2011: Live in Cleveland captures Rush's sold-out concert on April 15, 2011, at the Quicken Loans Arena in Cleveland, Ohio. Previous live albums were recorded outside the United States, so Rush decided to do this one in the first major city to embrace the band after its hometown of Toronto…
Rockpalast was a WDR (Cologne) show produced between 1974 and 1986, and revived again in 1995. The show was originally produced by Peter Rüchel and directed by Christan Wagner, and was famous for staging gigs with the leading bands of the day. The three concerts preceding Epitaph's first Rockpalast appearance were with Todd Rundgren's Utopia, Leo Kottke, and Ry Cooder. Epitaph first hit the Rockpalast stage on February 2nd 1997, and were followed that year by artists like Kate & Anna McGarrigle, Chicago, Harry Chapin, Tom Waits, Tom Petty, Rory Gallagher, Little Feat and Roger McGuinn's Thunderbird. Although two of the founder members, Cliff Jackson and Jim McGillivray, were Brits, and the lyrics were English, Epitaph was definitely a German band. As such it was quite amazing that Epitaph made it onto what was in effect Germany's answer to The Old Grey Whistle Test…
Halfway to Heaven is the second studio album by Brantley Gilbert. It was originally released on March 16, 2010 via Average Joe's Entertainment. The deluxe version of the album was released on September 13, 2011 via Valory Music Group. This re-release featured remixes of all the tracks, as well as several new tracks that were not on the original version of the album.
This remarkable set presents the recorded account of the first five years in the history of the Polish Prog band Riverside, which is the only second-generation neo-Prog Polish band to earn any international attention…
The Barking Spiders Live: 1983 is a live album by Australian rock band Cold Chisel. It was recorded during the final performances of their Last Stand tour in 1983, at the Sydney Entertainment Centre. The name of the album derives from a name the band used occasionally when playing warm-up shows before tours. Don Walker states a "barking spider" is "Scottish slang for a fart." The album spent 20 weeks in the Australian charts, peaking at number 14. Reviewed in the Canberra Times at the time of release, the album was described as, "a great reminder of the band's power and talent, particularly in concert, and a crucial purchase for all Chisel fans."
Deepest View (Archive Volume 3) (2011). Following closely in the footsteps of their first two archival releases, Space Debris return with a third volume of live recordings and bits and pieces. Starting off in an unusually subdued mood, with moody acoustic piano, the 10-minute opening cut Mary-Joe-Anna nonetheless gets going eventually into another heavy jam from the band. The shorter Reprise of the Sun features some nice electric piano. Off course, throughout is the sterling organ work that is something of a signature sound for Space Debris, provided on some tracks by current keyboardist Winnie Rimbach-Sator and on others by former keyboardist Tom Kunkel. But let’s not forget the tight rhythm section of Peter Brettel (bass) and Christian Jäger (drums) and the endlessly creative guitar playing of Tommy Gorny…