Pío Leiva Oye Como Suena (2002)

Arriving at the twilight of the 1960s, Santana were psychedelic pioneers who ushered Latin rock into the mainstream with their first three albums: Santana, Abraxas, and Santana III. Thanks to their appearance at Woodstock, their eponymous album was a smash hit right out of the gate, with its single "Evil Ways" making it into the Billboard Top Ten in 1969. They remained at the top of the charts until 1973, when leader and namesake guitarist Carlos Santana began exploring esoteric, spiritual jazz fusion on his own. Carlos may have wandered away from the band who shared his name, but he always returned to the group, sustaining them through years both productive and fallow. Through it all, Santana maintained a loyal classic rock following, but their popularity exploded in 1999 thanks to Supernatural, a splashy comeback masterminded by Clive Davis and featuring the Rob Thomas duet "Smooth."

Tito Puente was never one for half measures, and even in death there's no modesty involved, as the label calls him King of Kings. It might be an exaggeration, but only a slight one, and it gets the attention. Still, as the saying goes, the proof of the pudding is in the eating, and there's a hearty meal here, albeit one missing one or two choice dishes, like Puente's original version of "Oye Como Va," a song that indirectly brought him a whole new audience. However, "Honk Kong Mambo" is here, "Dance Mania," and "Dance of the Headhunters," so it's hard to find too much fault with the disc's 21-track selection. While the man wasn't shy about having his timbales, or himself, front and center, he truly was a driving force in his music - and, as this CD shows, he knew how to write more than his share of good tunes, too…

Ultimate Gangster Movie Soundtrack. Double CD 40 track collection of gangster movie phenomenon, featuring Stealers Wheel from Reservoir Dogs, Santana from Carlito's Way, Lalo Schifrin from Bullitt, Nilsson from Casino, Booket T and the MG's.

As of 2002, conga player Poncho Sanchez had been recording for Concord Records' Concord Picante imprint for 20 years, a good point at which to pause and take stock of his 20 albums for the label. The Ultimate Latin Dance Party does just that, selecting 23 key tracks from 18 of those albums on a two-disc set running over two hours. Sanchez pays tribute to his predecessors on such songs as Herbie Hancock's "Watermelon Man," Dizzy Gillespie's "A Night in Tunisia," and a "Tito Medley" dedicated to Tito Puente and including "Oye Como Va." Among the guest stars joining his band are Joey DeFrancesco, Eddie Harris, Mongo Santamaria, and Puente himself. While this best-of cannot replace Sanchez's extensive catalog for fans, it is a generous compilation for more general listeners, who should be able to get a good idea of the conga player's lively, exuberant style.