It's tempting to call District Line a return to form for Bob Mould – tempting, but not quite accurate. Mould might have started to wander into the electronic wilderness after his 1998's The Last Dog and Pony Show, a self-conscious farewell to rock & roll, but he revived his roaring guitars on 2005's Body of Song, so calling District Line a return to rock isn't right, even if its release on the maverick label Anti- suggests that this album may hark back to his Hüsker Dü years. Quite the contrary, actually: while there are plenty of guitars and molten pop hooks, Mould has yet to shake his inexplicable fixation on vocoders, and "Shelter Me" is a straight-up disco track, elements that he picked up in the years since Sugar's disbandment. Such exploration is at the heart of Mould's restless artistic spirit, a restlessness he's possessed since Hüsker – never forget that Zen Arcade was a concept album – but what's striking about District Line is that Mould sounds calmer here, even relaxed. That's not to say that he sounds complacent or that the passion has drained from his music, but for the first time he's able to mesh all his disparate musical interests into one cohesive album, one that sounds diverse yet unified.
There are no specific details on this handsome foldout CD package as to precisely when and where these tracks were recorded; the seven-paragraph liner notes are just a perfunctory summary of Santana's early career. It's evident enough from listening, though, that the nine songs were recorded mostly or wholly at live performances during their early career, likely circa 1969. There's a good amount of non-Columbia material floating around from the outset of Santana, and without a handy authoritative discographical guide, it's hard to say if or how much of this material has appeared elsewhere (or on bootleg).