Paris Exhibition

The dance permeated every layer of Romantic society. From popular dance halls to courtly salons, people showed their public face, enjoyed themselves and met one another in waltz time or to the rhythms of the quadrille or the polka. At the same time, ballet gained unprecedented fame on the stage of the Paris Opéra. The music that accompanied this frantic round in France has long been neglected, whereas the Viennese have never ceased to celebrate their waltzes. Under the expert baton of François-Xavier Roth, the orchestra Les Siècles has set out to rediscover this French repertory using historical instruments. Their album explores the output of both established composers – Camille Saint-Saëns, Ambroise Thomas, Charles Gounod, Jules Massenet – and their colleagues who specialised in Terpsichorean entertainment, including Philippe Musard, Isaac Strauss, Émile Waldteufel and Hervé.

The dance permeated every layer of Romantic society. From popular dance halls to courtly salons, people showed their public face, enjoyed themselves and met one another in waltz time or to the rhythms of the quadrille or the polka. At the same time, ballet gained unprecedented fame on the stage of the Paris Opéra.

Philippe Jordan conducts the Orchestre de l’Opéra national de Paris in much-loved works by Russian composers: Prokofiev’s ‘Classical’ Symphony and Mussorgsky’s Pictures at an Exhibition in Ravel’s famous orchestration.

Philippe Jordan conducts the Orchestre de l’Opéra national de Paris in much-loved works by Russian composers: Prokofiev’s ‘Classical’ Symphony and Mussorgsky’s Pictures at an Exhibition in Ravel’s famous orchestration.

Philippe Jordan conducts the Orchestre de l’Opéra national de Paris in much-loved works by Russian composers: Prokofiev’s ‘Classical’ Symphony and Mussorgsky’s Pictures at an Exhibition in Ravel’s famous orchestration. Directly before the recording sessions, a concert featuring both works prompted this response from ResMusica: “Philippe Jordan, known for his precision in interpreting a score, exhibited superb authority in a programme that showed off the orchestra to great effect and astonished the ear with its profusion of colours … Pictures at an Exhibition was marvellous from beginning to end.”

Daniel Lee Knight (born September 26, 1953, Ottumwa, Iowa), is a jazz pianist, composer, educator, and author. His early piano education was in the classical tradition; his first piano teacher, Tillie Maither, was a former student of Ignace Jan Paderewski. His interest in jazz began at an early age, and by age seven he was already transcribing the works of Dave Brubeck, Erroll Garner and Duke Ellington. In 1958, on seeing NBC Television's "The Subject Is Jazz", the first ever television series on the subject of jazz, and whose Musical Director was jazz pianist Billy Taylor, he knew he had to become a jazz pianist, too.

Filmed for cinema at the world’s biggest art exhibitions and on location, this ground breaking series allows art lovers worldwide to enjoy, marvel and delight at the works of some of history’s greatest ever painters.

This book offers an interactionist perspective on theories of public representation, knowledge and immigration in museum institutions. Examining how a Franco-German museum exhibition represents immigrants and exposes public stereotypes, the analysis follows the process of the production and reception of the exhibition as it travelled from Paris to Berlin.