Pasquini

Vittorio Zanon, Consortium Carissimi - Bernardo Pasquini: Santa Agnese (2003)

Vittorio Zanon, Consortium Carissimi - Bernardo Pasquini: Santa Agnese (2003)
EAC | FLAC | Image (Cue & Log) ~ 412 Mb | Total time: 91:42 | Scans included
Classical | Label: Arion | # PV703051 | Recorded: 2000

Pasquini’s golden era of dramatic composition was between the years of 1670 and 1680. Within the realm of the Oratorio genre, his creations were sought after outside the Roman circles. Performances were made in cities such as Florence, Modena, Naples and Vienna. An interesting annotation emerges from the correspondence of the Marquise of Ferrara, Ippolito Bentivoglio (studies done by Sergio Monaldini) in which Giacomo Zucchesini requests an Oratory be sung in Ferrara with a personal stipulation. E se si compiacesse ancora d’accompagnarlo con un altro di Bernardo Pasquini […] mi stimerei somma[men]te favorito. (And were it to be pleasing to have another one of Bernardo Pasquini, I would consider myself highly fortunate.)
Giovanni Caruso, Capella Tiberina - Bernardo Pasquini: Passion Cantatas (2012)

Giovanni Caruso, Capella Tiberina - Bernardo Pasquini: Passion Cantatas: Hor ch’il Ciel fra densi horrori; Padre, Signore e Dio (2012)
EAC | FLAC | Image (Cue & Log) ~ 264 Mb | Total time: 52:46 | Scans included
Classical | Label: Brilliant Classics | # 94225 | Recorded: 2010

Bernardo Pasquini (1637–1710) was born in the province of Pistoia, Italy. Drawn to Rome like many promising young musicians, his first of many posts was as organist at the Chiesa Nouva church, and in 1667 he obtained a good position in the service of Prince Giovanni Battista Borghese, where he composed ceremonial music at the Borghese Palace and spent the rest of his days. Along with Corelli and Scarlatti, Pasquini played a major part in the musical life of Rome, and was famous for his skill as both a harpsichordist and organist.
Silvia Rambaldi - Bernardo Pasquini: Variationi e Partite (1998)

Silvia Rambaldi - Bernardo Pasquini: Variationi e Partite (1998)
EAC | FLAC | Image (Cue & Log) ~ 507 Mb | Total time: 73:57 | Scans included
Classical | Label: Tactus | # TC.631801 | Recorded: 1997

Bernardo Pasquini, composer, harpsichordist and organist renowned in his day as virtuoso keyboard player, he was the most important Italian composer of keyboard music between Frescobaldi and Domenico Scarlatti.
Andreas Scholl, Ottavio Dantone, Accademia Bizantina - Arcadia: Scarlatti, Marcello, Gasparini, Pasquini (2003)

Andreas Scholl, Ottavio Dantone, Accademia Bizantina - Arcadia: Scarlatti, Marcello, Gasparini, Pasquini (2003)
EAC | FLAC | Image (Cue & Log) ~ 363 Mb | Total time: 78:00 | Scans included
Classical | Label: DECCA | # 470 296-02 | Recorded: 2003

Countertenor Andreas Scholl's new CD is devoted to little-known, late-17th- and early-18th-century cantatas whose subject matter is Arcadia, a real region in Greece, but more frequently evoked as an idyllic place filled with innocent, simple shepherds and shepherdesses. Scholl employs a more operatic tone and attitude than we're accustomed to from countertenors. Not only does he use vibrato and "lean" on the voice, but he dips down, as in the final moments of a cantata by Marcello, into a deep, dark baritone range. The effect is dramatic and apt. Elsewhere his tone is just gorgeous and always expressive, he pays attention to the text of these works and captures the theatrical moment in each. The last movement of a work by Francesco Gasparini is excitingly acrobatic.
Alessandro Quarta, Concerto Romano - Bernardo Pasquini: La sete di Christo (2015)

Alessandro Quarta, Concerto Romano - Bernardo Pasquini: La sete di Christo (2015)
EAC | FLAC | Image (Cue & Log) ~ 315 Mb | Total time: 66:56 | Scans included
Classical | Label: Christophorus | CRH77398 | Recorded: 2015

The importance of the musician Bernardo Pasquini is well known to all those who dedicate themselves to the study of the harpsichord or organ. They frequently encounter his compositions, which are of such fundamental importance for the development of late-baroque Italian music for keyboard instruments. His vocal music, on the other hand, consisting primarily of cantatas, operas and oratorios, is far less known. But it includes true gems of vocal art from the late Roman Seicento.

«Un naufragio» by Daniele Pasquini  Audiobooks

Posted by kabino at Nov. 16, 2022
«Un naufragio» by Daniele Pasquini

«Un naufragio» by Daniele Pasquini
Italiano | ASIN: B0BL44FVXN | MP3@128 kbps | 5h 46m | 653.25 Mb
Roberto Pasquini - Nicolò Paganini 24 Caprices Op. 1 for Unaccompanied Flute (2024) [Official Digital Download 24/96]

Roberto Pasquini - Nicolò Paganini 24 Caprices Op. 1 for Unaccompanied Flute (2024) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 01:21:49 minutes | 1.44 GB
Classical | Studio Master, Official Digital Download

Composti tra il 1805 e il 1817 e pubblicati da Giulio Ricordi, i 24 Capricci sono una testimonianza delle capacità del violino e mostrano tecniche perfezionate o innovate da Paganini.
Alexandra Nigito, Capella Tiberina, Lisandro Abadie, Domen Marincic & Sam Chapman - Pasquini (2022)

Alexandra Nigito, Capella Tiberina, Lisandro Abadie, Domen Marincic & Sam Chapman - Pasquini: L'ombra di solimano, Cantatas for Bass and Continuo (2022)
WEB FLAC (tracks) - 425 Mb | MP3 CBR 320 kbps - 166 Mb | Digital booklet | 01:10:59
Classical | Label: Brilliant Classics

Renowned in his day as a virtuoso keyboard player, Bernardo Pasquini (1637-1710) was the most important Italian composer of keyboard music between Frescobaldi and Domenico Scarlatti. In that capacity his output has output has been surveyed by Brilliant Classics with authoritative collections of his sonatas for harpsichord (94286) and for two organs (94347). However, Pasquini also composed more than 70 cantatas – most of them for one and two voices with continuo accompaniment, of the concise and dramatic kind written by the young Handel after he arrived in Rome in 1706.
Alexandra Nigito, Capella Tiberina, Lisandro Abadie, Domen Marincic & Sam Chapman - Pasquini (2022) [Digital Download 24/96]

Alexandra Nigito, Capella Tiberina, Lisandro Abadie, Domen Marincic & Sam Chapman - Pasquini: L'ombra di solimano, Cantatas for Bass and Continuo (2022)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 70:59 minutes | 1,5 GB
Classical | Label: Brilliant Classics, Official Digital Download

Renowned in his day as a virtuoso keyboard player, Bernardo Pasquini (1637-1710) was the most important Italian composer of keyboard music between Frescobaldi and Domenico Scarlatti. In that capacity his output has output has been surveyed by Brilliant Classics with authoritative collections of his sonatas for harpsichord (94286) and for two organs (94347). However, Pasquini also composed more than 70 cantatas – most of them for one and two voices with continuo accompaniment, of the concise and dramatic kind written by the young Handel after he arrived in Rome in 1706.

Roberto Loreggian - Pasquini: Sonate per Gravecembalo (2019)  Music

Posted by ciklon5 at Dec. 19, 2019
Roberto Loreggian - Pasquini: Sonate per Gravecembalo (2019)

Roberto Loreggian - Pasquini: Sonate per Gravecembalo (2019)
FLAC tracks | 05:44:22 | 2 Gb
Genre: Classical / Label: Brilliant Classics

This exciting release presents recently discovered works from the baroque composer Bernardo Pasquini. Brought to you by early music specialist Roberto Lorregian (Albinoni: 12 Cantatas for Soprano and Contralto Op.4, BC95600), the works in this set come from the Landsberg 215 manuscript, written between 1691 and 1702.Pasquini (1637–1710) spent most of his life in Italy, working first as an organist for the Arciconfraternita della Morte in Tuscany, following in the footsteps of Girolamo Frescobaldi and Luzzasco Luzzaschi. He later moved to Rome to work as an organist at Santa Maria in Vallicella and worked for Pope Alexander VII at the Basilica of Santa Maria Maggiore, before he was hired by Prince Giovanni Battista Borghese. Word of Pasquini’s exceptional talent as an organist and harpsichordist travelled beyond the borders of his home country, andcommissions flooded in from wealthy patrons including the cardinals Flavio Chigi, Benedetto Pamphilj and Pietro Ottoboni, Queen Christina of Sweden, Prince Lorenzo Onofrio Colonna and the Duke of Modena Francesco II d’Este.