It speaks well for the continued viability of their catalog (probably second only to Bob Dylan's among '60s folk artists) that this is only the sixth compilation ever done on Peter, Paul & Mary's music in four decades of musical activity - and since one of the others was a Readers' Digest mail-order release and two of the others were done for special markets outside of the United States, that low number is downright astonishing. This release effectively supplants the perennially popular Ten Years Together: The Best of Peter, Paul & Mary, from 1970, and also outdoes the 2003 WEA International Very Best Of, with more songs drawn from a much wider chunk of their history as well. The material at hand covers not only most of the key singles and a handful of important album tracks by the trio from the 1960s, but also acknowledges their less widely heard solo material from the 1970s and their much more directly provocative work from the 1980s…
It speaks well for the continued viability of their catalog (probably second only to Bob Dylan's among '60s folk artists) that this is only the sixth compilation ever done on Peter, Paul & Mary's music in four decades of musical activity - and since one of the others was a Readers' Digest mail-order release and two of the others were done for special markets outside of the United States, that low number is downright astonishing. This release effectively supplants the perennially popular Ten Years Together: The Best of Peter, Paul & Mary, from 1970, and also outdoes the 2003 WEA International Very Best Of, with more songs drawn from a much wider chunk of their history as well. The material at hand covers not only most of the key singles and a handful of important album tracks by the trio from the 1960s, but also acknowledges their less widely heard solo material from the 1970s and their much more directly provocative work from the 1980s…
With their beautiful harmony vocals and gentle melodies, Peter, Paul & Mary were the most popular folk act of the 1960s. While Bob Dylan was unquestionably the genre's most influential and revered performer by the mid-1960s, it was Peter Yarrow, Noel Paul Stookey, and Mary Travers who helped him to reach a larger audience with their accessible '63 renditions of his "Blowin' in the Wind" and "Don't Think Twice, It's All Right." In addition to Dylan, the group also championed the work of Gordon Lightfoot and John Denver, most notably with the wanderlust tales "For Lovin' Me" and "Leaving on a Jet Plane" (a runaway hit in '69), respectively.
All of the aforementioned tunes are presented on THE VERY BEST OF PETER, PAUL & MARY, a 25-track set carefully compiled by the trio itself. This 2005 collection focuses almost exclusively on the '60s and '70s work of PP&M, with the exception of the deceptively breezy "El Salvador" (from '86) and 2003's "Don't Laugh at Me," which finds the threesome in fine voice more than 40 years after the group was founded in New York City's Greenwich Village. Also included are three early-'70s solo tracks–one apiece by Yarrow, Stookey, and Travers–rounding out this wonderfully selected disc, which is a must for any folk collection.
Peter, Paul & Mary: Noel "Paul" Stookey, Peter Yarrow (vocals, acoustic guitar); Mary Travers (vocals).
Recording information: 1962 - 2003.Dirty Linen (p.85) - "It's fun to see the group really lay its politics on the line in 'El Salvador,' and 'Weave Me the Sunshine' is as vibrant as anything Peter, Paul, and Mary ever recorded."
Rhino Celebrates The Trio’s 50th Anniversary With A 24-Song Collection Of Rare And Unreleased Live Performances Recorded In Tokyo And Kyoto. By 1967, Peter, Paul and Mary’s inspiring performances and memorable hits had earned Peter Yarrow, Noel Paul Stookey and Mary Travers fans all over the world, Japan in particular. In January of that year, the group returned to the island-nation for a tour marked by a string of emotionally stirring performances. Tapes were rolling during shows at Tokyo and Kyoto (January 16 and 17), recording music that would later appear on Deluxe: Live in Japan, an LP that was only available in Japan.
is a 1970 greatest hits release by American folk singers . It is the last album released before the group split up in 1970. The album includes all of their greatest hits, such as their only #1 hit "Leaving On A Jet Plane", "If I Had a Hammer", and their version of the Bob Dylan song "Blowin' in the Wind", along with others. is an excellent introduction to the group for anyone who's not familiar with their work. It shows off their seamless, sumptuous harmonies, their willingness to step back and let the songs be the stars of the show, and the ease with which they move from ballads to more upbeat tunes.
is the first album by , released in 1962. It's one of the rare folk albums to reach US # 1 - staying for over a month. The lead-off singles "If I Had a Hammer" and "Lemon Tree" reached numbers 10 and 35 respectively on the Billboard Pop Singles chart.
Their third recording was one of the group's stronger outings, even if it confirms their status as folk popularizers rather than musical innovators…