Luigi Dallapiccola, who died in 1975, was the leading Italianexponent of the 12-note compositional method devised by Arnold Schoenberg, but adapted the technique to accommodate his own highly expressive and lyrical style. One contemporary described Dallapiccola’s use of instrumentation as ‘soft and starry’, and this quality is to be found in all three works on this disc – even though they come from quite different periods of his creative life. The Piccolo concerto per Muriel Couvreux is a two-movement work for piano and chamber orchestra which pre-dates his adoption of serialism, giving …David Michaels @ Classical-Music.com
The importance of Georg Christoph Wagenseil (1715-1777) in the development of the classical symphony cannot be underestimated, and his concertos were also significant in the development of early Viennese classicism. As its chief representative, Wagenseil unites Italian, French and German stylistic elements in his works, as was typical of the early 18th century. The Six Quartets for Low Strings occupy a special position in the chamber music of Wagenseil, simply by virtue of their unusual scoring and the type of classical four-movement quartet that was just coming into being. The two upper parts can be performed by either two cellos or two violas, as desired; the lower parts are played by a cello and a double bass.
This double album is mostly recommended to lovers of bass solos. With Ron Carter functioning as the main soloist on piccolo bass, only the solos of pianist Kenny Barron offer a bit of contrast. Bassist Buster Williams and drummer Ben Riley, who complete the quartet, are mostly featured in support. These performances, which are well-played, are almost all quite long, so listeners who prefer more variety in their music are advised to look elsewhere.
To mark the 250th anniversary of the death of Giuseppe Tartini, Mario Brunello and the Accademia dell’Annunciata commemorate one of the great partnerships in the history of eighteenth-century music: the relationship between Tartini and Antonio Vandini, a cellist born in Bologna (cradle of the Italian cello school), active in Padua for fifty years, and the author of the first biography of Tartini, whom he had known since the 1720s. Coupled here for the first time are Tartini’s two cello concertos, probably intended for his friend and colleague, alongside the only surviving concerto by Vandini himself.
Recorded at the prestigious Studio Piccolo in the heart of Montreal, Quebec, Canadian duo Stick&Bow bring life and energy to ‘Studio Piccolo Sessions’. This audio release accompanies a series of five videos presenting works by: Sting, Pau Casals, Luis Naon, Jason Noble and Carlos Puebla. The dynamic duo highlight the technical finesse and energetic performance between cello and marimba.
A unique disc devoted to cello Galant music composed mid-18th Century in the areas of Mannheim and Berlin.