Piccolo Coro Mariele Ventre Dell'antoniano Che Paura!

Lo Zoo Di 105 Presenta - Panico Paura Compilation (2010)
MP3 | 320 Kbps CBR | Covers 300 dpi | 149 MB
Genre: Dance

L'estate 2010 è…dance! E, parola dello Zoo di 105, non c’è estate dance senza Panico paura, la compilation che ti spakka tutto!!!, 16 hot track di grosso calibro più 2 versioni imperdibili del successo dei Tamarri. Porta la tua copia in vacanza: con te avrei sempre i beat del fuoriclasse Gabry Ponte, il tormentone di Wender featuring Sopreman, l’immancabile Paolo Noise, i mitici Eiffel 65 con Move Your Body 2010, il nuovo singolo dei Babylonia e tutte le dance-hit del momento!

Donizetti’s fascination with the story of Gabriella di Vergy began in 1826. His first version, written for his own pleasure, was never completed. For over a century that was all that was known to exist. In 1979, Opera Rara discovered in a London library a hitherto unknown complete opera on the same subject. Donizetti had written this for Naples in 1838. The grisly appeal of the story of Gabriella lies in its powerful final scene in which Gabriella’s husband, Fayel, delivers to her a casket containing the still-warm heart of her lover, Raoul. On this world premier recording, Opera Rara also includes three pieces from the 1826 version.

Donizetti's three-act tragic opera Belisario was a resounding success in its day, driven by its composer’s superlative theatrical instinct and his skilful interweaving of intense tragic narrative and emotional pathos. Belisario is betrayed by his wife Antonina, who falsely accuses him of high treason. Belisario is blinded and exiled, with proof of his innocence coming too late, and is mortally wounded during a final military victory. This production was performed and recorded without an audience in Bergamo during the Covid-19 lockdown in November 2020 – a moving performance reflecting a spirit of defiance amidst ruin and darkness.

The album marks 45 years since Chailly’s debut at La Scala, and also the signing of his exclusive contract with Decca.

The subtitle of this fine recital disc by Cecilia Bartoli is ''arias composed for Isabella Colbran: Rossini's primissima donna''. Colbran was around 30 years old when Rossini first wrote for her in Naples in 1815. (The opera was Elisabetta, regina d'Inghilterra.) But it is tempting to wonder whether even then she had a voice to match that of Signorina Bartoli, our newest and most lustrous Rossinian primissima donna. As a Rossini mezzo, Bartoli has most things one could wish for: tone of burnt umber, a brilliant top and rock-solid bottom with well-matched registers in between, and a temperament that can be fiery and affecting by turns. Much of this is on display in the recital's opening number, the closing scene from Zelmira (Naples, 1822) which the ageing Colbran almost certainly didn't sing as expertly as Bartoli does here.