Montreal-based Frenchman Olivier Alary is a highly talented composer, who has previously collaborated with Bjork and released albums on FatCat and Aphex Twin's Rephlex label under the name Ensemble, Over the past five or six years Olivier has moved away from that song-based project to focus on composing material for a stream of films and artistic collaborations. In 2007, Olivier's director friend Yung Chang asked him to score his feature-length debut, 'Up the Yangtze' which premiered at Sundance. The film was critically acclaimed and became a reference in the field, opening up a natural transition into film music for Olivier. Since then he has soundtracked more than twenty feature-length fiction films and documentaries, several of which have received prestigious awards and screenings worldwide (Cannes, Berlinale, Sundance, TIFF, Locarno). As the album title alludes, 'Fiction / Non-Fiction' is a compilation of this film music, dating from from the past five years, none of which has been previously released.
With a command of countless genres and a vast list of credits, composer/guitarist Jason Schimmel is a musical polymath whose talents know no bounds. A long time member of Trey Spruanceās legendary ensemble Secret Chiefs 3, his brilliant guitar work embraces a wide variety of traditions and styles, from blues, jazz and surf rock to Balkan folk and heavy metal. Visions of the Void is his masterpiece, an intense program of eclectic music that jumps quickly and seamlessly from one style to another. Years in the making, this is powerfully imaginative instrumental music by an all star ensemble of masters at the top of their game.
Director Sacha Gervasi's 2012 Alfred Hitchcock biopic was less of a proper biography and more of a breakdown of the events leading up to the release of 1959's Psycho. Composer Danny Elfman's elegant score reflects that sense of minutia, offering up a scant 38 minutes of material, much of which clocks in at under a minute. Elfman's signature blend of dread, whimsy, and mischief serves the tone of the story well, and while it may not be as stocked with memorable themes as some of his better-known works, it dutifully conveys the pathos, unpredictability, and humor of its source material.
4 Non Blondes howled their way onto the charts in 1993 with "What's Up?" and then vanished without a whisper. Formed in 1989 with Linda Perry (vocals), Shaunna Hall (guitar), Christa Hillhouse (bass), and Wanda Day (drums), 4 Non Blondes had no problems attracting major labels based on live shows and local radio support from KUSF, but the labels didn't know how to market them. After Day was replaced by Dawn Richardson, the group was eventually signed to Interscope Records and released Bigger, Better, Faster, More? in 1992. Although Hall contributed guitar tracks and some songs, she left before the album was released (replaced by Roger Rocha for the tour). Dominated by Perry's high-pitched singing, "What's Up?" was slowly added to modern rock stations and then crossed over into the mainstream, peaking at number 11 on the Billboard Top 200…