PALLAS is, after MARILLION, and along with IQ and PENDRAGON, one of the most important acts of the Eighties Progressive rebirth. This is an energetic and magnificent neo progressive band in the style of IQ/MARILLION but with more edge. Their music is centered on melodic hooks, loud sound and great voice. "The Sentinel" brings a tint of pop in a still elaborate progressive spectrum. Scottish prog band PALLAS definitely have one of the longest gaps between albums on record. They released their first album, "The Sentinel" in 1984 and followed it up with "The Wedge" two years later. Their next album, "Beat the Drum" (72 minutes of music with epic accents, rock rhythms and style, and ballads full of feeling), did not show up for 13 years. Highly recommended to fans of neo Progressive style.
PALLAS is, after MARILLION, and along with IQ and PENDRAGON, one of the most important acts of the Eighties Progressive rebirth. This is an energetic and magnificent neo progressive band in the style of IQ/MARILLION but with more edge. Their music is centered on melodic hooks, loud sound and great voice. "The Sentinel" brings a tint of pop in a still elaborate progressive spectrum. Scottish prog band PALLAS definitely have one of the longest gaps between albums on record. They released their first album, "The Sentinel" in 1984 and followed it up with "The Wedge" two years later. Their next album, "Beat the Drum" (72 minutes of music with epic accents, rock rhythms and style, and ballads full of feeling), did not show up for 13 years. Highly recommended to fans of neo Progressive style.
The Cross & the Crucible is the fifth studio album by the British neo-progressive band Pallas, released in 2001. The album was recorded in their own studio The Mill in Crathes, Aberdeenshire in the winter of 2000 to 2001. For the first time Pallas use guest musicians. The song The Cross And The Crucible is based on the Requiem by Wolfgang Amadeus Mozart. The music of this album was, according to the reviewers, compared with Pallas' classic in the genre, The sentinel, especially in the pompous-sounding parts. The new logo of Pallas is also a return to The Sentinel. Patrick Woodroffe, creator of that album cover, designed it. The album tends to be a concept album about (the abuse of) science and faith.