Pambianco Magazine From 1 Dicembre 2015

My God-Given Right is the fifteenth studio album by German power metal band Helloween. It was released on May 29, 2015. In October 2014, the band announced they were working on a new album for a May 2015 release, with Charlie Bauerfeind producing, to be recorded at Mi Sueño Studio on Tenerife. On February 26, 2015, the band released the name of the album, as well as the May 29th, 2015 release date. According to guitarist and founder Michael Weikath, there was no particular reason for the change of labels other than "plain business". In April 17, 2015, "Battle's Won" was released as the first single of the album, premiered on Team Rock Radio UK tonight on the Metal Hammer Magazine Show. Days later, Nuclear Blast USA had the premiere of the second single "Lost In America".

GRAMOPHONE Magazine Editor's Choice - October 2015.The Artemis Quartet pairs Brahms’ intense first quartet with his lighter-spirited third quartet, both works that the Artemis’ cellist, Eckart Runge, describes as “remarkable and multi-faceted”. He says that “Brahms marries a Romantic spirit with the structure and forms of Classicism. There is an almost symphonic approach in the writing, but at the same time the quartets are imbued with a sense of warmth, immediacy, friendship and love that is interwoven with a more spiritual, timeless beauty”.

Brett Dean is not shy about revealing what his music is ‘about’. Whether inspired by certain individuals (as in Epitaphs), or by an ecological or human disaster (as in his String Quartet No. 1, on the now all too topical plight of refugees), Dean’s works are usually – perhaps invariably – driven by extra-musical narratives. Rather than tease out any innate structural puzzles or tensions, his music typically falls into short little dramatic narratives – no movement on this disc lasts as long as eight minutes, many of them rather less than five. The most obviously successful work here is Quartet No. 2, ‘And once I played Ophelia’, effectively a dramatic scena. Its soprano soloist is no mere extra voice (as in Schoenberg’s Second Quartet) but the leading protagonist. Allison Bell’s genuinely affecting performance is backed by the Doric Quartet’s expressionist scampering and sustained harmonies, the strings occasionally coming to the fore in the manner of a Schumann-style song postlude.