Papercut From Radiate Issue 2014

This is the "Masterworks Expanded Edition" of Leonard Bernstein's Quadrophonic 1972 London Symphony Orchestra recording of Igor Stravinsky's Le Sacre du printemps. It was Bernstein's second go at the work in the studio, the first being made at the tail end of the mono era in January 1958 with the New York Philharmonic. CBS was very heavily into "Quad," and this justified a second recording of Bernstein in Le Sacre du printemps in order to show off the boom and bang of the new system. Whereas the 1972 Sacre is definitely exciting in spots and is a wildly colorful performance, it is also inconsistent in tempo, orchestral balance, and intonation.

This is the "Masterworks Expanded Edition" of Leonard Bernstein's Quadrophonic 1972 London Symphony Orchestra recording of Igor Stravinsky's Le Sacre du printemps. It was Bernstein's second go at the work in the studio, the first being made at the tail end of the mono era in January 1958 with the New York Philharmonic. CBS was very heavily into "Quad," and this justified a second recording of Bernstein in Le Sacre du printemps in order to show off the boom and bang of the new system. Whereas the 1972 Sacre is definitely exciting in spots and is a wildly colorful performance, it is also inconsistent in tempo, orchestral balance, and intonation.

Excellent 60 track music compilation. The music on it is a brilliant choice and not a usual 80s Compilation..

It feels redundant to say The Flaming Lips make complete weirdness out of The Beatles’ iconic Sgt. Pepper’s Lonely Hearts Club Band album. This complete reworking—er, deconstruction—of songs known the world over for their bright, shimmering sounds and Technicolor melodies will annoy purists, naturally, but it's actually a fun, wild ride for everyone else. Miley Cyrus sweetly croons “Lucy in the Sky with Diamonds,” while the endless list of “Fwends” (well, 27 strong, including Grace Potter, Tegan & Sara, and Foxygen) ensures tracks are flush with madness. Unexpected highlight: The Electric Wurms, led by the Lips’ Steven Drozd, re-channel “Fixing a Hole” into an astral ballad.

Wes Montgomery - In The Beginning: Early Recordings from 1949-1958 (2014) {2CD Set Resonance Records HCD-2014}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 759 Mb | MP3 @320 -> 325 Mb
Full Artwork @ 600 dpi (jpg) -> 224 Mb | 5% repair rar
© 1949-58, 2014 Resonance Records | HCD-2014
Jazz / Bop / Hard Bop / Guitar

Rare Wes Montgomery material is hard to come by. Not counting Willow Weep for Me, the posthumous LP Verve issued in 1968 not long after the guitarist's passing, there was Resonance's 2012 set Echoes of Indiana Avenue, which contained largely live performances from 1957 and 1958. In the Beginning, released three years after Echoes, draws from a similar well of unreleased recordings, offering a heavy dose of live material along with five sides produced by Quincy Jones at Columbia Studios in 1955, plus three tracks a session at Spire Records in Fresno, California in 1949.

Recorded during the last show of their North American tour for their 2012 album, Fanatic, Heart deliver a ripping set of new songs and classics on Fanatic Live from Caesars Colosseum. Recorded for television at Caesars Colosseum in Windsor, Ontario, the show finds Ann and Nancy Wilson in fine form as they play through a 14-song set that includes classic rock staples like "Crazy on You," "Barracuda," and "Alone."…

Italian composer and musician Marco Ragni has been a presence in the Italian music scene for a quarter of a century or thereabouts, and following a couple of decades in various band constellations he decided to venture out as a solo artist a few years back, launching his first solo album back in 2010. "Mother from the Sun" is his fourth studio recording, released towards the end of 2014. To give you an idea, think of the Pink Floyd albums A Saucerful of Secrets, More, Ummagumma, Atom Heart Mother (side two), Meddle, and Obscured By Clouds as major inspirations. Add to this the late sixties California hippy scene and the fact that Marco is Italian, and you have three strong foundations for a unique blend of psychedelic music with folk and funk and classic prog.

Suzi Quatro is a performer as famous for her image as her music; Quatro was rock & roll's prototypical Bad Girl, the woman in the leather jumpsuit with the enormous bass guitar (well, it looked enormous, given that Quatro is only five feet tall), looking sexy but ferocious as she banged out her glam rock hits in her '70s glory days. Quatro is a woman who titled one of her albums Your Mamma Won't Like Me for a reason. But there's more to Suzi Quatro than all that, and she seems determined to show off the full range of her 50-year career in music on the box set.