Pattini D'argento Mary Mapes Dodge

Mary Stallings was just 22 at the time this album, her first, was cut in 1961. Fortunately, she was teamed up with a group of top professionals led by vibist Cal Tjader. She also sticks with mostly tried and true material, with Duke Ellington's songs getting a big play. Tjader is not a virtuoso on the vibes, but has made a name for himself because of his attachment to Latin rhythms. With no such music on this album, Tjader's playing seems somewhat stiff at times, particularly on ballads and slow blues. However, alternating pianists Lonnie Hewitt and Clare Fischer get with the program to give Stallings the backing she needs. The vibes player also loosens up on up-tempo tunes like "It Ain't Necessarily So." The singer has a powerful voice with a straight from the shoulder, no holds barred delivery…

Marking 40 years of The Jesus And Mary Chain, Glasgow Eyes was recorded at Mogwai’s Castle of Doom studio in Glasgow, where Jim and William continued the creative process that resulted in their previous album, 2017’s Damage and Joy, becoming their highest charting album in over twenty years. What emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter, their maelstrom of melody, feedback and controlled chaos now informed more audibly by their love for Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz.

One thing about chronologically arranged reissues - you never know exactly what you're going to bump into. The third volume of the complete recordings of Mary Lou Williams, for example, opens with a pair of tunes sung by Josh White. It's good to hear the lyrics to Williams' cool, bluesy "Froggy Bottom," but "The Minute Man" is one of those obligatory, rhetorical patriotic numbers that cropped up everywhere during WWII and are relevant today only as historical curiosities. Most of the music reissued in this compilation originally appeared on scratchy 78-rpm records bearing the Asch label. Tenor sax archetype Coleman Hawkins is featured on the lush "Song in My Soul" and trumpeter Bill Coleman presides over a laid-back strolling blues with the worrisome title "Carcinoma"…

For most of his life Eric Craven has kept a very low profile, concentrating on his teaching career and quietly developing his ‘non-prescriptive’ composing method, a sort of aleatory style but which allows the performer varying degrees of freedom. His earlier cycle of short pieces, ‘SET’, was recorded after Craven was persuaded by leading pianists to make his work available.

Fred James & Mary-Ann Brandon are the real deal. If you like southern roots Americana and blue eyed soul music, you’ll love the sound these two journeyman performers conjure up. Their new CD release on SPV Records showcases their exceptional song-writing and musicianship. Their harmony blend is all their own but harkens back to the classic duet sounds of Delaney & Bonnie, Billy Vera & Judy Clay and Bonnie Raitt & Delbert McClinton. It’s a sound that is timeless. This record has wound up being a loose chronicle of their life together. It's a love story with all its twists and turns. Their life together has not always been easy. They have lived, loved, fought and played with passion. For this album they went back to record some of the music from the early days and dug into their country and R&B roots to bring you a southern stew pot of blue eyed soul. This is, in fact, a record that has been a quarter of a century in the making.