Paul Bangay

C'est à partir d'un “Avertissement” de Marin Marais lui-même, dans son IIe livre de pièces de viole (1701), qu'est née l'idée de cet enregistrement tout à fait original et inédit. En effet, il y invite les musiciens à ne pas jouer le pièces de viole seulement sur la viole : “J'ai eu attention en les composant à les rendre propres pour être joués sur toutes sortes d'instruments comme l'orgue, clavecin, théorbe, luth, violon, flûte allemande…”, et prié les interprètes de “se donner la peine de les mettre sur chaque instrument en particulier”. Il ajoute, dans l'“Avertissement” de son IIIe livre : “Il ne s'agira que d'en savoir faire le choix pour chacun des instrument” (et) remplir le vide entre le sujet et la basse afin de ne pas faire de mauvais sons, ce qui est une règle très essentielle à l'harmonie.”

Besides hardcore Led Zeppelin fans, it's a little known fact that Jimmy Page produced and played on a 1970 album by theatrical rocker Screaming Lord Sutch, Lord Sutch and Heavy Friends. In addition to Page's appearance (he also co-penned a few tracks), the other 'friends' included John Bonham, Jeff Beck, Nicky Hopkins, and Noel Redding. Since the album is quite difficult to find nowadays, select tracks have popped up over the years on compilations, such as the 2000 set Rock and Roll Highway.

One of those special discs where the combination of repertoire and performances is of such unerring quality that it can justly be called definitive, Paul O'Dette's 1991 recital of lute works by Johannes Hieronymus Kapsberger is as good as it gets. Born in Venice, Kapsberger was unsurpassed in his times as a lutenist. His published collections of works for his instrument were considered all but unplayable by anyone but himself at the time they were first published./quote]

Two electronic artists from the western US, Craig Padilla and Paul Ellis, join forces to create 72 minutes of enjoyable electronic music. Echo System is clearly inspired by the classic 70's electronic synth masters (Tangerine Dream, Klaus Schulze, etc.) However, rather than simply imitating the pioneers, Padilla and Ellis draw inspitration from them, infusing their own distinct styles, and adding depth and interest to an all too often two-dimensional musical form. Craig and Paul spent two years fine-tuning Echo System, and it is sure to appeal to long time fans of electronic music. Definitely a must for fans of Padilla or Ellis' previous works, and a great introduction to those discovering either of them for the first time.

Brand new studio album by Paul Carrack. In more than 20 years of running his own record label and touring operation, Paul Carrack knows more than most about taking responsibility for his own career. So when lockdown cast its unwelcome shadow on the music business, one of Britain's most distinguished and soulful singer-songwriters was ready with his response.

Ravello Records presents SOPRANO SUMMIT from revered saxophonist Paul Cohen. Alongside his work as a performer, Cohen is known for his passionate scholarship, rediscovering long-forgotten saxophone works as well as arranging related music for the instrument. In this, his latest contribution, Cohen presents an album of music for the soprano saxophone in chamber and solo settings. The range and diversity of the soprano saxophone is stunning, from Cohen’s arrangement of Percy Grainger’s Arrival Platform Humlet (solo soprano saxophone) to Amanda Harberg’s first piece for saxophone, Feathers and Sax, (soprano saxophone and piano) and Jeff Scott’s new work The Gift of Life (piccolo, soprano/alto saxophone and piano). SOPRANO SUMMIT is both a celebration of the soprano saxophone as a concert instrument and a revelation of new, lost, revived, and beloved works.