People Usa October 25, 2021

John Mayall’s The First Generation 1965-1974 is an enormous 35CD box set that documents the early career of ‘The Godfather of British Blues’, with remastered studio albums, unreleased BBC recordings, previously unheard live gigs and more.Featuring Eric Clapton, Peter Green, Mick Taylor, Harvey Mandel, Blue Mitchell, Jon Mark and many more outstanding musicians, the 35 discs in this mammoth package include three CD singles and eight previously unreleased discs, alongside newly remastered versions of the original Decca & Polydor albums.
For a short but compelling time in the ’60s and ’70s, John Mayall recognised raw talent, took it in, nurtured it, and everyone thrived and benefitted as a result. Many of the best musicians of the period passed through the ranks of John Mayall’s Bluesbreakers. All are on show here in this set with an abundance of musical highlights.
The unreleased concerts include Windsor 1967, Gothenburg 1968, Berlin 1969 and San Francisco 1970 and the 28 unreleased BBC tracks feature none other than Eric Clapton, Peter Green and Mick Taylor!

A brand new series of releases devoted to the rise of Disco in the ‘70s, a genre which began when soul music became the most popular sub-genre of Rhythm & Blues within the African American culture in the USA, from where, the cult of the DJ emerged.
‘Disco 75’ features huge hits along with dancefloor essentials that changed the face of dance music mid-decade; including massive radio-friendly tunes from Shirley (And Company), Jackson Five, KC And The Sunshine Band, Archie Bell And The Drells, The O’Jays, Whispers, The Average White Band, Harold Melvin And The Bluenotes, Disco Tex And The Sexolettes and more.

TAO Forms is rather stoked to present this astonishing new work from the fertile creative mind of tenor saxophonist–composer James Brandon Lewis. Performed by the Red Lily Quintet, an exceptional & singular inter-generational ensemble, this album speaks to the forever-evolving continuum of the jazz tradition.

Oxford Diploma in : 2023: Macroeconomics in the World Today

As a package, the three albums contained on these two CDs offer a well-rounded picture of the Drells at the time of their Gamble & Huff days at Philly International. For starters, these records were all aimed at disco, being recorded in 1976, 1977, and 1979, respectively. It is true that most of this material doesn't match the brilliant work they did at Atlantic, but then, it's hard to dismiss any of these records out of hand. Given the pure, big string and popping bassline treatment that was so prevalent at Philly, it's easy to see why these records charted. Using the production team of McFadden, Whitehead, and Carstarphen, all three albums were aimed squarely at the charts and they all did.