In recognition of his 40th anniversary with the label, Sony Classical is proud to present Murray Perahia: The First 40 Years. This limited- edition box set includes the artist’s complete recordings for Sony Classical on 68 CDs packaged in mini sleeves featuring the original album cover artwork.
Exclusive Sony Classical pianist Murray Perahia releases this collection of the keyboard concertos of J.S Bach. Celebrated by his fans and media alike on first release, several of the concertos have been unavailable for some time and make a welcome return to the catalogue, The set contains some of Perahia’s all-time best-selling recordings. The initial releases of these recordings of the Concertos Nos. 1-7 have sold in excess of 30,000 units in the UK alone, Murray Perahia’s recording of Bach’s Solo Keyboard Partitas 1,5 & 6 (88697565602) won the 2010 BBC Music Magazine Award for Best Instrumental Recording.
This unusual grouping presumably represents the first instalment of Perahia's planned Urtext edition of the complete sonata series.Opening with the "Piano Sonata No 12 in A-flat major, Opus 26", one is immediately struck by Perahia's poised, stately progress through the opening movement. The more animated second movement – unusually, a scherzo, Beethoven effectively turning the sonata form on its head – sets up the dirge-like final movement, the Funeral March For a Dead Hero. The two Opus 14 Sonatas (No 9 in E major, and No 10 in G major) are earlier, shorter, and simpler, the former boasting a particularly pleasing melodic motif and repetitive form.
"…Artists as individually outstanding as Gould, Tureck, Koroliov, and Schiff have all found solutions that are equally valid, but none, I think, have ever made the music sound so naturally, joyously at home on the modern piano as has Perahia. With gorgeously rich recorded sound fully worthy of the interpretation, this Goldberg Variations easily joins my short list of recommendations on any instrument. Perahia has given us a recording for the ages, no doubt about it." ~classicstoday
Soloist-conducted piano concertos can sometimes mean compromise, even chaos…but not in this case. Indeed, the playing of the Academy of St Martin in the Fields under Murray Perahia is even sprightlier than on a rival EMI recording of the same repertoire where Sir Neville Marriner conducts and Andrei Gavrilov plays the keyboard part. As soloist, Perahia is his usual stylish, discreet and pianistically refined self. He takes the D minor Concerto’s opening at a fair lick, a hot-foot sprinter embellishing the line with taste and affecting a little ritardando at 3'21 (just as the mood momentarily brightens) a la Edwin Fischer.
This disc received the 1998 Cannes Classical Music Awards for "Record of the Year" and "Best Instrumental Solo or Chamber Performance - 17th/18th Centuries." It also received the 1997 Gramophone magazine award for "Best Instrumental Recording," was Gramophone's "Recording of the Month" for May 1997, and was nominated for the 1998 Grammy Award for "Best Instrumental Soloist Performance (without Orchestra)."
This Chopin recital represents Murray Perahia's return to the Sony studios after a two-year absence due to serious injury. So may I start by saying that this is surely the greatest, certainly the richest, of all his many and exemplary recordings. Once again his performances are graced with rare and classic attributes and now, to supreme clarity, tonal elegance and musical perspective, he adds an even stronger poetic profile, a surer sense of the inflammatory rhetoric underpinning Chopin's surface equilibrium. In other words the vividness and immediacy are as remarkable as the finesse. And here, arguably, is the oblique but telling influence of Horowitz who Perahia befriended during the last months of the old wizard's life.