Catalan folk singer Sílvia Pérez Cruz and the Javier Colina Trío (Colina on bass, Albert Sanz on piano, and Marc Miralta on the drums), plus guest saxophonist Perico Sambeat, revisit the Cuban songbook in the gorgeous En la Imaginación. Four years in the making, this genuine labor of love reimagines classics of the bolero, filin, and son, such as "Debí Llorar" and "Ella y Yo" in a jazz trio-and-voice setting.
Like it happens so often, catalan drummer Marc Miralta discovered that he was a flamenco aficionado while living outside of Spain. He gathered his favourite musicians from both sides of the Atlantic and projected this recording which is another proof of flamenco's influence in contemporany jazz.
Magic Moments 1 (2000). With the 1996 release of "A Little Magic In A Noisy World", the first of its anthology series, ACT began to document its repertory concept of a permanent exchange between jazz and other forms of music. The release of "Magic Moments" in January 2000 is the forth installment of this "music without borders". This time the CD combines over 40 ACTs on 18 titles.
Some of the musicians on this anthology speak the American - born language of jazz with the accent of their own mother tongue. Others add new words to the language, or expand the grammatical rules. Yet others speak in their native language, but owing to their long time away from their homeland, scatter scraps of American "slang" over their musical landscape; the flow of their speech has even taken on an American tone and color…
Si el jazz es el arte de la sorpresa, el contrabajista Javier Colina ha cumplido a fondo con la vieja definición de Whitney Balliet en éste, que sepamos, su primer disco como líder. Agente principal del jazz flamenco con el trío de Chano Domínguez, sideman de estrellas internacionales del jazz, colaborador permanente de los flamencos, Colina podía haber salido por cualquiera de estos palos. Pero el contrabajista también ha tocado con Compay Segundo y la Fort Apache Band, y lo sigue haciendo con Bebo Valdés. Y Colina se fue con el saxofonista valenciano Perico Sambeat a grabar a los legendarios estudios EGREM de La Habana, con un amplio arco de músicos cubanos de varias generaciones. Y juntos abordan diversos palos.
Jazzpana II assembles an equally stellar ensemble, with a heavier emphasis on the flamenco contingent. This is led by performer/composers Gerardo Nunez (flamenco guitar) and Chano Dominguez (Grotrian Steinweg piano), and filled out with Esperanza Fernandez (vocals on one track), Jorge Pardo (soprano sax), Carles Benavent (electric bass), Renauld Garcia-Fons (five-string acoustic upright bass), Tino Di Geraldo (drums) and Cepillo (cajon). The Jazz counterpart is headlined by Michael Brecker (tenor sax) and Fareed Haque (electric guitar) and rounded out with Perico Sambeat (alto sax).
When flamenco guitarist Gerardo Nunez puts pen to paper, he usually has only one thing in mind: music. However, when he started working on his newest album “Travesia” (“Crossing”), the long-awaited follow-up to 2004’s “Andando El Tiempo“, he wanted to tell a particular story that had moved him; the story of his friends Ahmed and Khaleb.