Pet Shop Boys

"Thursday" is a song by English synth-pop duo Pet Shop Boys, featuring vocals from English singer and rapper Example. It was released on 4 November 2013 as the fourth single from the Pet Shop Boys' twelfth studio album, Electric (2013). The song reached number 61 on the UK Singles Chart and is the highest-charting single from the album.
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms…

Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour. The duo navigated the constantly shifting landscape of modern dance-pop with grace and intelligence, moving easily from disco to house music to thoughtful synth pop without losing their distinctive style in the process…

Because they work in a field that isn't usually taken seriously, the Pet Shop Boys are often ignored in the rock world. But make no mistake - they are one of the most talented pop outfits working today, witty and melodic with a fine sense of flair. Very is one of their very best records, expertly weaving between the tongue-in-cheek humor of "I Wouldn't Normally Do This Kind of Thing," the quietly shocking "Can You Forgive Her?," and the bizarrely moving cover of the Village People's "Go West." Alternately happy and melancholy, Very is the Pet Shop Boys at their finest.

"Winner" is a song by English synth-pop duo Pet Shop Boys, released as the lead single from their eleventh studio album, Elysium (2012).
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour…

The Most Incredible Thing is the Pet Shop Boys' first foray into the world of ballet scoring, and it’s as slick and smart as expected. Composed for London’s Sadlers Wells Theater adaptation of a late-period Hans Christian Andersen story, this must be a welcome souvenir for audience members, but those not in attendance will find the two-disc set a bit much, and with so many story-driven twists and audio cues, it’s too demanding for background listening. That said, any fans who found the duo’s Battleship Potemkin soundtrack compelling will find this a welcome, lighter alternative, seeing as how the sound is another mashing of Russian classical music and synth pop, with Tchaikovsky being the composer of influence here…

"Love Etc." is a song by English synth-pop duo Pet Shop Boys from their tenth studio album, Yes (2009). It was released on 16 March 2009 as the album's lead single.
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour…

A few years after their foray into musicals, the Pet Shop Boys, who are quite possibly disco-pop's most intellectual act, have returned with another project: a live score to Sergei Eisenstein's Battleship Potemkin. Battleship Potemkin was a silent film made in Leninist Russia in 1925, and tells the (somewhat idealized) story of a revolt among sailors of the Czar's Black Sea fleet. Given the Pet Shop Boys' history of playing with Leninist imagery (take, for example, the lyrics to 'West End Girls'), they were a suitably apt choice to do a live score to this film.

Ultimate is a greatest hits compilation album by UK electronic music band Pet Shop Boys. It is their third greatest hits album, released on 1 November 2010 by their long-time label Parlophone. The album contains 18 previously-released singles, in chronological order, and one new song ("Together"). Ultimate was released to celebrate 25 years since the band's first single release "West End Girls" in standard single-CD and expanded CD/DVD configurations. It charted at #27 on the UK Albums Chart on 7 November 2010 and at #50 on the European Hot 100 Albums on 20 November 2010. In addition to the hits, the deluxe package also includes a DVD with previously unreleased performances from the BBC as well as their 2010 headlining performance at Glastonbury.

"Leaving" is the second single from the album "Elysium".
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour. The duo navigated the constantly shifting landscape of modern dance-pop with grace and intelligence, moving easily from disco to house music to thoughtful synth pop without losing their distinctive style in the process…