Peter Wholleben

Peter Gregson (b.1987) is a British composer and cellist ‘working at the forefront of the new music scene’ (The New Yorker), and is an exclusive Deutsche Grammophon recording artist.

Peter Gregson’s second release of 2021 is a follow-up to the recording of his beautiful performance from Hollywood’s Capitol Studios which was issued in January as a digital and visual album entitled An Evening at Capitol Studios: Bach Recomposed by Peter Gregson.

Nach vier Single-Auskopplungen des Rappers schiebt Peter Fox 2023 sein neues Album »Love Songs« hinterher.

Peter Opsvik is known for chairs such as Tripp Trapp, Capisco, the saddle chair, Variable, Nomi - and the eye-catching Garden. Peter Opsvik has attempted to overcome our stereotypical sitting habits with his unconventional seating solutions. His work shows how the norms of sitting nicely and sitting still can be broken.

The evangelist indulges: tenors often dare something. They are, perhaps even before the sopranos, the singers with the greatest confidence.

Cardboard sleeve (mini LP) reissue from Peter, Paul and Mary featuring 2012 remastering, using the original master tape. Includes a description and lyrics. Part of a eleven-album Peter, Paul and Mary cardboard sleeve reissue series featuring albums "Peter, Paul And Mary I", "Moving", "In The Wind", "Peter, Paul And Mary in Concert", "A Song Will Rise", "See What Tomorrow Brings", "The Peter, Paul And Mary Album", "Album 1700", "In Japan", "Late Again", and "Peter, Paul And Mommy". The most popular folk group of the 1960s, Peter, Paul and Mary in later decades have also proved themselves to be among the most durable music acts in history. Their longevity dwarfs that of the Weavers, while the fact that the trio continues to be associated with a major record label (Warner Bros.) after decades in the business sets them apart from rivals like the Kingston Trio and the Brothers Four. Then again, perhaps it isn't so surprising – Peter, Paul and Mary's roots run deeper than almost any other folk act one might care to name, while their appeal crosses audience lines that other acts couldn't (and can't) even approach.

In the 1980s, Abidjan’s Jess Sah Bi & Peter One became one of the most popular musical acts in not just the Ivory Coast (Côte d'Ivoire), but broader West Africa, eventually performing with a full band to stadium-sized audiences at home and throughout Benin, Burkina Faso and Togo. Although they’d been popular radio and television performers for several years prior, the catalyst for Jess and Peter achieving this new level of stardom was their debut album, Our Garden Needs Its Flowers, recorded and released in 1985.