Guitarist Michael Schenker's impact upon UFO's career cannot be overestimated. Before the German teenager's arrival (he was only 19 when he jumped ship from the Scorpions), the British rockers' early albums of half-baked space rock had been completely ignored everywhere but Japan. But with Schenker on board, the group's sound received a well-needed attitude injection, veering toward the Anglo-hard rock style that would make them famous. That is not to say that their first collaboration, Phenomenon, was an instant home run. Quite the contrary, as the band seemed a tad wary of giving Schenker's more aggressive style complete freedom to roam, reining in the budding guitar hero just enough to stunt the impact of promising rockers like "Oh My and "Too Young to Know." Likewise, "Time on My Hands" and "Crystal Light" are bogged down in excessive acoustic guitars, while "Space Child" shows glimpses of their failed space rock past…
Guitarist Michael Schenker's impact upon UFO's career cannot be overestimated. Before the German teenager's arrival (he was only 19 when he jumped ship from the Scorpions), the British rockers' early albums of half-baked space rock had been completely ignored everywhere but Japan. But with Schenker on board, the group's sound received a well-needed attitude injection, veering toward the Anglo-hard rock style that would make them famous. That is not to say that their first collaboration, Phenomenon, was an instant home run. Quite the contrary, as the band seemed a tad wary of giving Schenker's more aggressive style complete freedom to roam, reining in the budding guitar hero just enough to stunt the impact of promising rockers like "Oh My and "Too Young to Know." Likewise, "Time on My Hands" and "Crystal Light" are bogged down in excessive acoustic guitars, while "Space Child" shows glimpses of their failed space rock past…
The Alien Abduction Phenomenon features Syndromeda, nee Danny Budts, doing what he does best. This densely atmospheric and heavily sequenced CD is another sci-fi soundscape with massive walls of sound and expansive passages of dark minimalism. Danny weaves a tale of space exploration and the unknown dangers therein. Deep listeners will take the journey as well, carried by the rhythm. The rhythm is either overt (sequenced) or self-generated (minimal). It is always there. A deep synth drone provides continuity for the thematic integrity as listeners explore the mystic worlds of abduction. The dark minimalism forebodes mystery and, perhaps, danger lurking in the shadows.
The Alien Abduction Phenomenon features Syndromeda, nee Danny Budts, doing what he does best. This densely atmospheric and heavily sequenced CD is another sci-fi soundscape with massive walls of sound and expansive passages of dark minimalism. Danny weaves a tale of space exploration and the unknown dangers therein. Deep listeners will take the journey as well, carried by the rhythm. The rhythm is either overt (sequenced) or self-generated (minimal). It is always there. A deep synth drone provides continuity for the thematic integrity as listeners explore the mystic worlds of abduction. The dark minimalism forebodes mystery and, perhaps, danger lurking in the shadows.
This is the ultimate independent critical review of U2 on stage, on film and on record.Presented by leadiong broadcaster Mary Ann Hobbs, the film draws extensively on rare live footage of U2 in performance from film and television archives around the world. The U2 biographer and Zoo Tour DJ, the legendary BP Fallon, leads a team of music journalists and working musicians in a complete review of the work of U2.This film was made with complete editorial freedom. It is not approved, endorsed or associated with U2 or the management of the band.