Philip Glass: Music in Twelve Parts

Philip Glass's early works have purely functional titles, and this one is no exception. His masterpiece in this repetitious and rigorously structural composition style– Music in Twelve Parts–may be just too much for some people to take. If so, then this disc may be just the ticket. Of course, Glass's many fans will snap it up as a matter of course, but as the title implies, there's somewhat more happening here than in his very first minimalist works–just enough so that newcomers to the style ought to find something to enjoy. An important disc, then, both as a milestone in the history of a major musical movement and a reminder of style that the composer has long since abandoned.

This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House.

In honor of Philip Glass' 70th birthday, Sony has devoted two CDs to 18 short works and movements of larger works, from recordings in its archive. The set provides a useful introduction to the composer's work from a relatively brief span in his long career, from 1976 to 1988. It was an exceptionally productive period for Glass; works written during that period include his three large-scale portrait operas – Einstein on the Beach, Satyagraha, and Akhnaten – all represented here, as well as two very popular albums of short pieces: Glassworks and Songs From Liquid Days.

This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House.