Philippe Béziat

Becoming Traviata / Traviata et nous (2012)  Movies

Posted by Tutorial at Jan. 9, 2017
Becoming Traviata / Traviata et nous (2012)

Becoming Traviata / Traviata et nous (2012)
DVDRip | 716 x 388 | .MKV/AVC @ 1059 Kbps | 01:47:14 | 921 MB
Audio: French AAC 140 Kbps, 2 channels | Subs: English
Genre: Documentary, Musical

Natalie Dessay prepares to take on the role of Violetta in this documentary about the staging of Verdi's masterwork at the Aix-en-Provence Festival in France.
Pierre Dumoussaud, Orchestre National Bordeaux Aquitaine - Debussy: Pelléas et Mélisande (2021) [Digital Download 24/96]

Pierre Dumoussaud, Orchestre National Bordeaux Aquitaine, Stanislas de Barbeyrac & Chiara Skerath - Debussy: Pelléas et Mélisande (2021)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 148:36 minutes | 2,39 GB
Classical, Opera | Label: Alpha Classics, Official Digital Download

The Covid pandemic caused the cancellation of the performances of Pelléas et Mélisande at the Opéra National de Bordeaux, which approached Alpha in order to make an audio recording of this masterpiece. So here is that unexpected but highly anticipated new version, with an exceptional cast and a young conductor, Pierre Dumoussaud, whose calling card it is fast becoming, since he has already conducted it in many houses.
Jean-Christophe Spinosi, Ensemble Matheus - Rossini: La Pietra del Paragone (2007)

Jean-Christophe Spinosi, Ensemble Matheus - Rossini: La Pietra del Paragone (2007)
NTSC 16:9 (720x480) | Italiano (Dolby AC3, 2 ch) | 7.30+2.88 Gb (DVD9+DVD5) | 161 min
Classical | Naïve | Sub.: English, Francais

Considering that Rossini's opera buffa "La pietra del paragone" (The Touchstone) is hardly ever staged and that its title is not even known through its overture, like "La scala di seta" or "La gazza ladra," music lovers can be forgiven for being in the dark about this sparklingly luminous work. One of Rossini's first operas, it was written for Milan's La Scala and premiered there in 1812. It was a resounding success - in spite of its standard libretto filled with disguises, mistaken identities and trials of love and loyalty. But it boasts a splendidly varied orchestral writing, which includes dramatic hunt and storm scenes, and betrays a love of language and wordplay which presages Rossini's later works. For this alone, it deserves an above-average treatment.