Philips Protech Dst

"Terms such as “fastidious”, “intimate” and “quietly nuanced” have long been applied to the immensely respected Ingrid Haebler’s interpretations. She was a “purist” in the best sense of the word and has often said that she always sought to convey the essence of the music according to the language and style of the composer’s time. Her goal is that the listener should understand the structure and the message of the work, without anything to disrupt it. She has always been admired for the grace and shapeliness of her phrasing, her pellucid cantabile touch, her crystalline articulation, and the warmth, sensitivity, and quietly nuanced expressivity of her interpretations. With an imposing discography, Haebler was regarded by many as Philips’ “house pianist”. Decca now proudly presents her Complete Philips Recordings on 58CDs in tribute to this rare and special artist.

The set includes several recordings which appear as international CD releases for the first time (symphonies by Haydn, Beethoven, Schubert) as well as first CD releases of works by Hendrik Andriessen and Stravinsky. Several other recordings have been unavailable for a number of years and are included here.

The series ‘L’Oreille de…’ from Cypres and the Huelgas Ensemble, that began with "L’Oreille de Zurbarán" and "L’héritage de Petrus Alamire,” juxtaposes the music of a particular period and the creative world of a contemporaneous painter, scribe or explorer. What might he have listened to if he had had a transistor radio, a hifi system or the possibility of streaming on a computer? In conjunction with the exhibition: "Theodoor van Loon, a caravaggist between Rome and Brussels" in BOZAR Brussel, this album introduces the first Southern Netherlands Caravaggist between Rome and Brussels through the music of the seventeenth century. Paul Van Nevel has selected some emblematic pieces played in Italy, where van Loon used to live between 1602 and 1608, and in the musical chapel of Albert and Isabelle.

This Dutch blues band was formed in the Hague around 1967, becoming a regular outfit from 1969. The early line-up included Bjorn Toll (vocals), John Lagrand (harmonica), Ted Oberg (guitar), Ruud Fransen (bass) and Niek Dijkhuys (drums) but although the name remained wholesale changes soon took place, bringing in a new singer, Nicko Christiansen, and new bass and drums, Peter Kleinjan and Beer Klaasse, the latter pair being swiftly replaced by Gerard Strutbaum and Cesar Zuiderwijk, while keyboard player Henk Smitskamp was added…