An album of pure, crystalline beauty. Very peaceful, though there are some up-tempo tracks like Ele Me Deu Um Beijo Na Boca (a very curious one with interesting lyrics) and Sina, with a reggae flavour. But what I liked best are the slow romantic songs. Queixa, Coqueiro de Itapoa, Sete Mil Vezes, Sonhos - all of them have their very special depth of sentiment, very unique charm… but the best one is definitely Trem das Cores.
Kraftwerk 2 is the second studio album by German electronic band Kraftwerk, released in January 1972. Kraftwerk 2 was entirely written and performed by founding Kraftwerk members Ralf Hütter and Florian Schneider in late 1971, with the sessions produced by the influential Konrad "Conny" Plank. No material from this album has been performed in the band's live set since the Autobahn tour of 1975, and to date, the album has not been officially reissued on compact disc.
At first listen, this seems a more experimental, obtuse follow-up to the lauded 'Felona E Sorona' album. After becoming more familiar with it, I can only figure it's due to the lack of cohesiveness between tracks. 'Felona E Sorona' had a certain flow because, not only was it a concept album, it was an especially well-written one. 'Contrappunti' simply seems like an unrelated series of songs, and it's not to be faulted for that, because what you get here are some of Le Orme's mightiest compositions…
Between harsh criticism (due to the retro opportunistic use of Tropicália), and sectarian defense, Tropicália 2 yielded a Caetano Veloso/Gilberto Gil tour through E.U.A. and Europe one year after this release. The reference to Tropicália was used as a safe-conduct for the duo's incursions in electronics, axé music (the contemporary and pragmatic sound of Bahia) and other commercial exploitation – since under Tropicália everything goes (or used to go, some 30 years ago). The album opens with "Haiti," a dry percussive electronic pattern over which Caetano and Gil speak verses dealing with racism; "Cinema Novo" is a beautiful samba, whose lyrics "explain" and greet the Brazilian cinema movement which gained the world. "Nossa Gente" brings the percussive sounds of axé music together with funk brass attacks.
Hannes Wader is a German songwriter (Liedermacher), singer and guitarist. He was an important figure in German leftist circles from the 1970s on, with his songs covering such themes as socialist and communist resistance to oppression in Europe and other places like Latin America. He both wrote new songs and played versions of older historical works.
Traditional german folk sung mainly in low saxon.