Founded 70 years ago by Paolo Borciani, Elisa Pegreffi, Lionello Forzanti and Franco Rossi, Quartetto Italiano is one of the finest string quartets of the 20th century. The group recorded almost exclusively for Philips Classics, leaving a legacy admired for its insight and technical brilliance. This 37CD Box Set celebrates the artistic achievements of the Quartet by presenting their complete recordings on Decca, Philips and DG.
This 37CD Box Set celebrates the artistic achievements of the Quartet by presenting their complete recordings on Decca, Philips and DG. Featured are the legendary Mozart, Beethoven and Brahms cycles as well as many other interpretations…
Genius can be defined in a number of ways. One such definition is to be the right person in the right place at the right time; another is to have the capacity to move your audience to tears. Monteverdi meets both these criteria with flying colours. His professed ambition was to "move the passions of the soul," thereby drawing tears from his audience, and he achieved this with greater efficacy than any of his contemporaries. The use of the word "madrigal" on the title pages of his eight collections (and a posthumous Ninth Book from 1651) is therefore deceptive, concealing radical stylistic changes which brilliantly reflect the turbulent, exciting times in which he lived.
Before Watazumi-do was named Watazumi-do, his name was Tanaka Masaru. When he was twenty years old, he studied from a man named Nakamura Kikufu who studied with Sakurai Muteki, who studied with Okamoto Chikugai. He is also said to have studied under Uramoto.
When Wynton Marsalis made a splash as a jazz musician playing classical music, record companies sensed a winning formula. It's still nearly impossible to get an original jazz composition recorded, but all of a sudden jazz musicians have been offered the run of the Baroque and Classical repertory, ready or not. Amid the follow-the-leader frenzy, one of the more promising projects was an album of J. S. Bach pieces played by the Modern Jazz Quartet's pianist, John Lewis. Bach's contrapuntal thinking, and the strong sense that his compositions are frozen improvisations, have made him a consistent favorite of jazz composers, while the walking bass lines of many Bach pieces have encouraged jazz musicians through the years to ''swing'' Bach, an adaptation that often works surprisingly well.
Rudolf Moralt (26 February 1902 – 16 December 1958) was a German conductor, particularly associated with Mozart and the German repertory. Born in Munich, he studied there with Walter Courvoisier and August Schmid-Lindner, and was engaged as a répétiteur at the Munich State Opera under Bruno Walter and Hans Knappertsbusch from 1919 until 1923. He was conductor at the opera house of Kaiserslautern (1923–28) and musical director of the opera house in Brno (1932–34). He also worked in Braunschweig and Graz before being appointed chief conductor at the Vienna State Opera in 1940 until his death. In 1942 he made a series of renowned recordings conducting the orchestra of the State Opera with the Austrian soprano Maria Reining.
La stravaganza was Vivaldi's second published set of concertos and was issued sometime between 1712 and 1715. In a characteristically interesting and informative note Michael Talbot explains that La stravaganza or ''Extravagance'' should be understood as wandering outside the boundaries of convention in respect both of melody and harmony. Unlike the earlier L'estro armonico (Op. 3), La stravaganza contains only concertos for solo violin though occasionally, as for example in the seventh concerto Vivaldi brings additional instruments to the fore. Perhaps the set is a little uneven in quality but the finest things here should fire the imagination and arouse the passions of most listeners.
Many collectors would agree that Sviatoslav Richter was the greatest pianist of the 20th century. His enormous recorded legacy hides hundreds of treasures, many of which are included in this beautiful 51CD set. Released to celebrate the 100th anniversary of his birth (20th March 2015), the edition encompasses his complete Decca, Philips and DG recordings, including his Sofia Recital as well as his collaborations with Rostropovich, Karajan and Benjamin Britten.
"Arrau's Chopin – now available in a six-CD box (Philips 432 303-2) as part of Philips's Arrau Edition – is as far from moonstruck "sentimentality" as any Chopin ever was. But no performance of the Preludes is more sentimental, in Schiller's sense, than the version Arrau recorded for Philips in 1973. Its premise – that the cycle is a grand tragedy, the darkest thing Chopin wrote – is unmistakable. Even the prefatory C-major Prelude heaves with orgasmic rubatos – more weight, it seems, than the music can possibly bear. And yet, as Arrau packs each small berth with a world of feeling, the weight grips and holds. At times, the sheer density of emotion can seem suffocatingly intense. The Prelude No. 22, a Stygian descent, is surely Hades; the plunging scales of No. 24 rip the thread of life."