Pianist December 2017 January 2018

Along with the two books of piano studies by Gyorgy Ligeti, the Etudes of Philip Glass have taken their place as modern classics of the literature, serving both a didactic purpose to train the fingers and minds of their performers, but also bringing their unique soundworlds to new audiences. Glass himself remarked that the first book, compiled from work between 1991 and 2012, had a twin objective, to explore a variety of tempi, textures and piano techniques.

Anthony Braxton - Sextet (Parker) 1993 (2018) {11CD Box Set Limited Edition New Braxton House Records NBH907}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.82 Gb | MP3 @320 -> 1.55 Gb | Cover | 5% repair rar
© 1993, 2018 New Braxton House Records / Tri-Centric Foundation | NBH907
Jazz / Avant-Garde Jazz / Saxophone

The long-awaited 11-CD box set of Braxton's interpretations of the Charlie Parker songbook. Very limited number of advanced copies. Braxton’s hard-swinging Charlie Parker Project, recorded in 1993 with a brilliant band including two geniuses since deceased—trumpeter Paul Smoker and pianist Misha Mengelberg—expands beyond its original two-CD form into a 11-CD box on New Braxton House, the imprint operated by Braxton’s Tri-Centric Foundation. The notion of listening to everything in sequence, including numerous versions of the same tunes, admittedly is daunting, but this is a set that you can drop into literally anywhere and be swept away instantly.

A towering musical figure of the 20th century, saxophonist John Coltrane reset the parameters of jazz during his decade as a leader.

Lars Vogt continues his series of concerto recordings with the Royal Northern Sinfonia with this new recording of Johannes Brahms (18331897) First Piano Concerto together with Four Ballades (Op. 10) for solo piano. As in previous albums, Lars Vogt conducts from the keyboard. The evolution of Brahms 1st Piano Concerto took several steps. Originally conceived to become a Sonata for Two Pianos through orchestration it was developed into a four-movement Symphony until reaching into its final form of a Piano Concerto in three movements. During the process, which lasted from 1854 to 1856, some movements were also discarded and replaced by new material.