Pilot From October 2015

A man with as much experience as he has ingenuity, Randall Bramblett has been a singer-songwriter, a session musician, and a hired gun for legends such as Gregg Allman and Steve Winwod. Bramblett’s latest release from his more than thirty years in the business, Devil Music, delivers the expected level of virtuosity, and surprises with a deep-fried, novel twist of Southern darkness. “Dead in the Water,” the album’s lead single is equally fulfilled through evocative lyrics, well-timed and managed effects, and instrumental superiority; a narrative of nowhere, the track is populated by dead-end characters and lowly living; fitting, for a track that Bramblett claims is inspired by William S. Burroughs. While immersing itself in the wonderfully weird, infinitely spiraling darkness of whimsy that exemplifies some of Tom Waits’ best work, “Dead in the Water” sees a guest appearance by storied axeman Mark Knopfler.

The connection between Wales and the harp is a long-standing one, and Mathias's part in it began 12 years before his Harp Concerto was written, with Improvisations for harp solo; even a Welshman has to learn how to cope with such an idiosyncratic instrument. He learned his lessons well—even using semitone pedal glissandos in the second movement, and he keeps the harp audible by alternating its solo passages with orchestral ones or, when the two are working together treating the orchestra with a light touch (the celesta is used as a particularly effective companion to the harp), at other times resorting to the more familiar across-the-strings sweep. Two movements have declared Welsh associations: the first juxtaposes but does not develop three themes the second is a 'bardic' elegy; the last is simply ''joyful and rhythmic''. The whole makes pleasing listening appealing to the emotions and imagination rather than the intellect.

The late '80s were wrought with equal measures of tremendous professional popularity and personal crisis for Elton John. As he would reveal later, this inspired double-LP live collection released in 1987 captures the artist at one of the best and worst times of his life. In fact, John cites the emotionally charged "Don't Let the Sun Go Down on Me" and "Sorry Seems to Be the Hardest Word" as triggering what would become a "severe mental breakdown," the results of nearly a decade of substance-fueled decadence. On top of it all and perhaps most tellingly is John's tattered voice. So dire was the situation that literally within weeks of the concert he would undergo a surgical procedure that could have easily ended his career had it failed.

Frontiers Music Srl is proud to announce the release of another stunning live performance from Alan Parsons and his incredibly skilled band of musicians, "One Note Symphony: Live In Tel Aviv" on February 11, 2022. The band's performance with the Israel Philharmonic Orchestra will be available on 2CD + DVD, Blu-ray, 3xLP, and Digital formats. On how this very special performance came together, Alan says "We had been booked to play here with the Israel Philharmonic Orchestra and I thought it might be a great opportunity to record a video of the show. It’s a rare treat to perform with an orchestra, so I asked the IM3 Global Entertainment video team of Trinity Houston and David Minasian, who had earlier that year had done a great job filming two of our live shows in the Netherlands and produced our latest music video, The NeverEnding Show, to join us and film this performance as well. As luck would have it, they agreed to make the trip to Tel Aviv, and hired a fantastic crew of local cameramen and technicians. We are all very proud of the final result."

Alan Parsons studied a number of musical instruments in childhood but, like many of his peers, settled on the guitar in his early teens. His job in the late 1960s at the EMI tape duplication facility allowed him access to many classics of the day, including the tape master of The Beatles Sgt. Pepper's Lonely Hearts Club Band (1967), which fired him up to become a recording engineer. He subsequently managed to get work at the Abbey Road Studios and participated in the creation of The Beatles albums Let It Be (1970) and Abbey Road (1969) and the infamous Apple rooftop session. He also went on to work as mix engineer with Paul McCartney and George Harrison after The Beatles split…