Erotic Lounge - there is no better music to sex! A good collection of music - like a carefully cut diamond, find it among the slag heaps at times as difficult as to give the latter form. If we continue the analogy, the Sony BMG music produces such "diamonds" is not worse than the precious masterpieces by Cartier or Tiffany & Co. Therefore, past collections Erotic Lounge series to go hard, they cover charmingly attractive and content even more striking. The first collection was released in 2003, and each subsequent out once per year, revealing new facets as erotic titles.
Eat Your Guru is an experimental electronic, trance, dance, World fusion project, featuring Didgeridoo Hang Drum and overtone singing by Andy Duroe. This is a culmination of many years, playing and mixing cultural music, in projects from meditative ambient concerts to live pumping Goa dance parties.The Didgeridoo is probably one of the oldest instruments in the world. The Hang drum or commonly known Hand Pan is probably one of the newest instruments in the world. Created about the year 2001 in Switzerland by Felix Rohner and Sabina Schärer from Panart.
Fifty years ago today, Frank Zappa’s inimitable, groundbreaking first solo album, Hot Rats, was released, putting the songwriter and musician on the map as a virtuosic guitarist and changing the course of music forever with its conceptual, compositional and technological innovations. Self-described as a “movie for your ears,” the mostly instrumental 1969 album was a new musical avenue for Zappa following the dissolution of his band The Mothers Of Invention as he melded the sophistication of jazz with the attitude of rock and roll to create a highly influential masterpiece widely hailed today as a pioneering album of jazz-rock fusion.
1976's Houdini found Stray in recovery mode from the record company and personnel change woes that had afflicted the previous year's uneven Stand Up and Be Counted album - one of the few occasions in their career when the enduring London outfit could be accused of playing it relatively safe, in what seemed like a conscious attempt to chart a single at radio. Not that they were about to risk the same level of almost reckless creative adventure that had both thrilled and confused the punters who'd purchased their first four albums, but anthemic Houdini tracks like the title song, "Fire and Glass," and "Give a Little Bit" nevertheless showed a confident resumption of the gritty guitar work that had underpinned most of Stray's best efforts past…