Pinnacle Ultimate 26

Enjoy pro-level video editing that can transform your creative concepts into preeminent productions worthy of the big screen—all with the help of advanced tools, cinema-grade effects, the unparalleled accuracy of keyframing, and the high-level performance that Pinnacle Studio™ 26 Ultimate delivers.

Edit freely across unlimited tracks with complete control, precision, and the power of pro-caliber tools to transform your creative vision into cinema-grade productions.

The most beautiful country & western songs by The Osborne Brothers, Arthur Smith, Paul Warren & Lester Flatt's Nashville Grass and many more on one compilation!

Collected covers Carrack’s whole solo career, as well as the best of his work with Ace, Squeeze, Mike + The Mechanics and others.

“Leo Fender’s contribution to the sound of modern music is immeasurable. The pop music explosion of the 1950s and 60s would not have happened without the electric guitar and, perhaps more importantly, the electric bass.”
So begins Martin Kelly’s notes for the CD of his book about Fender guitars. A book about music of course lacks the medium that it describes, so Martin came to Ace with a proposal to produce an accompanying CD that would make his pages even more vibrant. We were more than happy to celebrate the great sounds that Leo Fender helped conceive through his inspirational instruments.

In February 2017 Time Out magazine polled actors, producers, directors and movie mavens to create a list of the top 100 British films of all time. Forty-four years after its release, Nicolas Roeg's Don't Look Now was a comfortable winner. Defined by them as, "a movie whose every glorious frame is bursting with meaning, emotion and mystery, and which stands as the crowning achievement of one of Britain’s true iconoclasts and masters of cinema". Based on a Daphne Du Maurier short story, Julie Christie and Donald Sutherland play a couple who travel to Venice after the tragic death of their daughter. Pino Donaggio as well as composing the score, performed a substantial portion of it himself. He played the piano pieces, despite the fact that he was not very accomplished at playing the piano. These pieces are usually associated with Christine in the film, and Roeg wanted them to have an innocent sound reminiscent of a little girl learning to play the piano. Donaggio claims that since he was not very good at playing the piano, the pieces had an unsure style to them, perfect for the effect they were trying to capture. The song - "I Colori Di Dicembere" - was recorded by Iva Zanicchi and released on her 1974 album "Amare, Non Amare". It is not heard in the film and was only included on the Italian pressing of the soundtrack where it was released as "A Venezia… Un Dicembre Rosso Shocking". This new edition of Donaggio's classic score reinstates the song and reverts to the original track sequence and edit.

FSM presents the Miklós Rózsa Treasury (1949-1968), a 15CD set celebrating one of the giants of film music. In this single package FSM makes available virtually every surviving, as-yet-unreleased note from the composer’s fertile and productive association with M-G-M.