Poisoner Controlled Bleeding

We shade our ambient in sound colors light and dark. Signals in and out of the calm and stillness of what is left unsaid. Treasured roadmaps. Coded experiments. We retouch the mindset of the past and turn to the future. We 360, deeply in space. We craft, and we flow onward. Here are new stories for each rhythm of sun and moon to earth and back. This is where the weave of light is one world, the weave of dark another. Together, they form a voice of contrast. Illumination. Connectivity. Immersion. Clarity. This is the music that forever drifts in our soul. This is our silent renaissance.

Schizoid Dimension: A Tribute to King Crimson contains contributions by a variety of artists on Cleopatra-affiliated labels, including Controlled Bleeding, Chrome, Brand X, Pressurehed, Astralasia, Melting Euphoria, Alien Planetscapes, Architectural Metaphor, Xcranium, Spirits Burning, Solid Space, and ex-Crimson violinist David Cross, whose track features John Wetton on vocals. Sometimes the artists' styles don't really mesh well with the music, but at other times, the reinterpretations can be fresh and compelling.

New Candys hail from Venice, Italy and formed back in 2008. After recently reissuing their highly-praised first two LPs ‘As Medicine’ and ‘Stars Reach The Abyss’, the four-piece are teaming up with Fuzz Club for the release of their third album, ‘Bleeding Magentas’.

Bleeding Gods, a blackened death metal band from he Netherlands, has managed to put together one of the best concept albums in quite a while (possibly the best all year) and create an album that stands alongside some of the best in blackened death metal…

Tom Waits - Romeo Bleeding: Live From Austin (1978) {IMC Music Ltd. IMA104142 rel 2009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 258 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 1978, 2009 IMC Music Ltd. | IMA104142
Rock / Experimental Rock / Blues Rock / Alternative / Songwriter

Tom Waits, raconteur, poet, singer, pianist, writer, genius and one-man revivalist of a bygone world, in a 1978 concert from Austin, Texas. Hear the emerging star, strikingly young and self-assured in his compelling skid-row persona, as he takes us on a series of amazing journeys, at once comic and poignant, and full of the down-at-heels characters only Mr. Waits can bring to life. In songs like "On The Nickel," "I Wish I Was In New Orleans," "Romeo Is Bleeding," "Small Change" and others, Waits conjures up an entire universe all his own. One of the most idiosyncratic writers and performers is captured at an early moment in his amazing and influential career. Recorded Live on December 5, 1978 in Austin, Texas.

A lot of people claim its hard to find black metal that isn’t subjected to clichés or generic instrumentation, but I find this declaration to be largely unfair and untrue. There are a number of bands who use the black metal style to express their ideologies and lyrical themes by using excessive experimentation…