Police Women of Memphis S01e10

Like Slim's other Bluesville work, this is a characteristic and very consistent effort, though not what you would single out as the cream of his recorded work. He varies the program between originals and covers of standards like "Mean Mistreatin' Mama," "Rock Me Baby," and "Goin' Down Slow," providing a touch of unpredictability by switching from the piano to the organ on a few tracks.

Memphis Minnie held her own in a genre famous for its casualties, and as a blues guitarist, few players in the 1920s could cut her, and that, coupled with Minnie's natural showmanship and a penchant for marrying her guitar duet partners (Casey Bill Weldon, Kansas Joe McCoy, Ernest Lawlars), makes her one of the most colorful figures in blues history. This set brings together key tracks that she recorded for Columbia Records between 1933 and 1937, but it's just a small part of this musician's prolific recording catalog (she also recorded for the Bluebird, OKeh, Vocalion, Regal, Checker, and JOB imprints during her four-decade career). The sound is good, though, which makes this a nice place to start.