Pollini Brahms

Johannes Brahms - Klavierkonzerte Nr. 1 & 2 - Maurizio Pollini (2016) {2CD Set Deutsche Grammophon}
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Classical / Romantic / Concerto / Piano

Maurizio Pollini, still one of the undisputed stars of the piano when these performances were recorded in 2011 and 2014, had already recorded the Brahms concertos several times before. One might expect a kind of late-life summation, but this is nothing of the sort. Instead, Pollini seems energized by the chance at an unusual pianist-conductor interaction, something arguably more important with Brahms than with any other composer: the motivic web can be knitted in various ways. Pollini's lithe elegance, little diminished in his late sixties, stands in sharp contrast to the big-boned dramatics of Christian Thielemann, leading the venerable Staatskapelle Dresden, and many passages sound totally novel.

Here are Maurizio Pollini's compelling interpretations — paired with two now legendary conductors - of five piano masterworks performed with the Vienna Philharmonic at home, the Musikverein's magnificent "golden hall" In Mozart and Beethoven the camera captures the pianist's virtuosity as well as his empathy with Karl Bohm as they document the only two Mozart concertos that Pollini has ever released. For the Brahms concerto Pollini is joined by a young Claudio Abbado creating great music-making in which this essential repertoire is joyfully illuminated by two kindred spirits.

Maurizio Pollini's second Deutsche Grammophon release with Christian Thielemann and the Staatskapelle Dresden is a live concert recording of Johannes Brahms' Piano Concerto No. 2, a fitting follow-up to his successful 2011 CD of the Piano Concerto No. 1 in D minor. That recording marked Pollini's triumphant return to Dresden, but this 2013 recording is less about the significance of the concert and more about the consolidation of Pollini's working relationship with Thielemann and the orchestra.

Maurizio Pollini's 2011 concert recording of Johannes Brahms' Piano Concerto No. 1 in D minor is an important document because it not only captures his return to playing with the esteemed Staatskapelle Dresden (his first performance with the group since 1986), and his first collaboration with conductor Christian Thielemann, but it presents the very work the pianist played at his Staatskapelle debut in 1976. All of this background is helpful to know, to understand the significance Deutsche Grammophon attaches to this release, even at the risk of offering a CD that runs just over 45 minutes, without any filler for added value.

In anticipation of his 75th birthday in 2017, this luxurious 55-CD set presents Pollini's complete recordings on DG with their original covers, including the first ever release of Prokofiev's Third Piano Concerto with the NHK Symphony Orchestra under Maxim Shostakovich (recorded in 1974). Also included are a 200-page booklet and 3 bonus DVDs: concerto recordings with Böhm and Abbado as well as Bruno Monsaingeon's documentary film De main de maître (2015).

Few musical partnerships have elicited such divergent critical opinions as Maurizio Pollini and Claudio Abbado in Brahms’s two piano concertos. Reviewing the First Concerto in April 1999, Richard Osborne found ‘a lack of quickness and intelligence in the inner-part playing’ while missing ‘any real sense of interaction between soloist and orchestra’. A year earlier Bryce Morrison, in his review of the Second Concerto, had found it ‘impossible to think of them apart, their unity [here] is so indissoluble’. BM also praised what he heard as ‘a granitic reading stripped of all surplus gesture, preening mannerism or overt display, intent only on the unveiling of a musical or moral truth’.

Originally released between 1976 and 2007, the offerings in this eight-CD box set represent Maurizio Pollini's exemplary concerto recordings for Deutsche Grammophon, including all of Ludwig van Beethoven's cycle, the two piano concertos by Johannes Brahms, and six of Wolfgang Amadeus Mozart's masterpieces in performances that rank among the pianist's finest.

This is unbelivably good. I have heard this concerto many times live, on record, on tape, on the radio, and on disc. I have never heard it performed this well. My favorite performance had been Pollini's with Abbado in the late 1970s (maybe early 1980s). This surpasses it in every way, which I would not have believed possible. Pollini's technique is perfect. His and Abbado's interpretation, nuances, shading and dynamics could not be better. The orchestra balances the piano just as Brahms always intended. And then there's the sound quality: as acoustically superb as I have ever heard on any disc. This is truly one of the all-time great classical recordings. Do not miss it.

Originally released between 1976 and 2007, the offerings in this eight-CD box set represent Maurizio Pollini's exemplary concerto recordings for Deutsche Grammophon, including all of Ludwig van Beethoven's cycle, the two piano concertos by Johannes Brahms, and six of Wolfgang Amadeus Mozart's masterpieces in performances that rank among the pianist's finest.