Popol

Compared to their previous recordings, the hymn-like ‘Hosianna Mantra’ – a milestone record within their career – saw Popol Vuh taking the next step with ‘Seligpreisung’. A new musical element entered the mix: rock. No coincidence, as Daniel Fichelscher from Amon Düül II made his first appearance here, playing guitars and drums. Fichelscher was to become an important companion for Fricke securing the rock element as an important and explicit ingredient of their music in the coming years. The music on ‘Seligpreisung’ evokes that typical and mysterious brilliance of Popol Vuh of being able to sound non-Western while using mostly Western instruments. While Daniel Fichelscher and Conny Veit gave rock impulses, Florian Fricke and Robert Eliscu approached things from the classical side. Robert Eliscu played a lyrical oboe; his intricate duets with Fricke on the grand piano defined the meditative side of the tracks on the album. Due to the temporary absence of vocalist Djong Yun, all vocal duties fell to Florian Fricke this time. The incredibly beautiful bonus track “Be In Love” is an essential addition. It is the A-side of a now hard to find single, recorded just before the album “Seligpreisung”, with vocals by Djong Yun.

This is a wonderful but very underrated debut album from progressive Norwegian Popol Vuh (NOT the more recognizable German krautrock band!), who in 1975 (after two albums) changed its name to Popol Ace. Their eponymous long play was released in 1972 on Polydor label and today is considered by many listeners a progressive masterpiece with slightly jazzy and bluesy feeling, with many tempo and moods changes and plenty of acoustic/electric guitars, Hammond organ, electric piano, mellotron and flute interplay. This carefully remastered CD edition is necessary for fans of early Genesis, Caravan, King Crimson, Mahavishnu Orchestra, Focus & Jethro Tull.

Popoloddities is a compilation, which included previously unreleased material.
Having roots as far back as 1959 with The Scavers and later releasing a single Arman Stumpe Dur Express, this Norwegian quintet that released two albums under the Popol Vuh moniker (a Maya mythology-related name), until they became aware of a German band using the same name, they changed their names to Popol Ace. The group went on to release another two albums before folding at the end of the decade. Musically, they sounded much straigjhter progressive rock than their German mystical homonyms: mellotrons and flute parts , funky jazz-rock and softer ballads were among their usual tricks found in their first two albums (S/T and Quiche Maya) under the Vuh name…

Hosianna Mantra is the third album by German band Popol Vuh. It was originally released in 1972 on the German record label Pilz. The album saw the band blend elements of Western classical music, Asian music, and space rock. For the release, bandleader Florian Fricke abandoned electronic synthesizers and instead employed acoustic instruments such as piano, oboe, and tambura. Prominently featured are Korean vocalist Djong Yun and electric guitarist Conny Veit.

Popol Vuh is the debut album by the namesake Norwegian art-rock/folk band, later known as Popol Ace. The album was released in 1972 on Polydor.

This is the second album released in 1973, which has evolved into a more sophisticated and smarter version of the previous album's somewhat rough songs and arrangements, while retaining the Nordic pop, melodic, and rich variety of song ideas.

Of the many legendary artists to emerge from the Krautrock movement, few anticipated the rise of modern electronic music with the same prescience as Popol Vuh - they were the first German band to employ a Moog synthesizer and their work not only anticipated the emergence of ambient, but also proved pioneering in its absorption of worldbeat textures. Keyboardist Florian Fricke was deeply immersed in Mayan mythology at the time he formed the group with synth player Frank Fiedler and percussionist Holger Trulzsch, and his interests were reflected in the spiritual themes of their 1970 debut, Affenstunde, the first experimental rock release entirely built around the Moog Synthesiser (with the add of percussions to provide a mystical flavour)…

‘Agape-Love’ was one of Florian Fricke’s favorites, at a point in his life where he was inspired by 13th century Persian poet Rumi. Still utilizing a choir for Gregorian chant-like ethereal intensity — though they sing in Byzantine scales – the band delves deeply into the drone world of Fricke’s sacred music muse. This is an album of many moods/feelings & is a worthy, devastatingly beautiful outing (both introspective & intense at the same time).

A soundtrack for the Werner Herzog film of the same name and originally released in 1987, Cobra Verde was the sixteenth album by Popol Vuh.