Appearing the legendary original track "Brüder des Schattens - Söhne des Lichts (Brothers Of Darkness - Sons Of Light)" from film "Nosferatu".
Essential: a masterpiece of progressive rock music.
'Tantric Songs' is the english titled release of already existing tracks, that were released between 1978 and 1979 (mainly from the sessions for the soundtrack of Werner Herzog's 'Nosferatu') on 'Brüder des Schattens - Söhne des Lichts' (1978) and 'Die Nacht der Seele' (1979).
Recorded in 1980 and produced by Klaus Schulze, Sei Still, Wisse ICH BIN ("Be quiet, I am") is one of Popol Vuh's sacred music offerings. Like Hosianna Mantra nearly a decade before, this set is regal in its solemnity and in its intensity. Utilizing the Chorensemble der Bayerischen Staatsoper and the soprano saxophone stylings of Chris Karrer, Popol Vuh – down to a three-piece with vocalist Renate Knaup fronting the choir, Fricke on piano and voice, and guitarist Daniel Fichelscher holding down the drum chair as well, this is a huge recording.
Excellent addition to any prog rock music collection.
Thankfully, a large part of Popol Vuh's discography has come back into print the last few years- I bought this on iTunes, and I'm glad I did. By the 1980s, the spiritual side of Florian Fricke's vision had come to the forefront.
Essential: a masterpiece of progressive rock music.
Perfectly dreamlike soundtrack to one of the dreamiest films ever made: German director Werner Herzog's eerily beautiful yet deeply pessimistic masterpiece.
2011 five CD collection from the German Krautrock band containing their soundtracks to five Werner Herzog films (Aguirre, Heart of Glass, Nosferatu, Fitzcarraldo and Cobra Verde) housed in a high-end limited edition box. In addition, this exclusive box set contains a 96 page-strong booklet designed by International DoubleStandards Berlin including unseen footage and images, conflating the world of both Popol Vuh and Werner Herzog through the soundtracks to some of Herzog's most acclaimed early feature films.
Alberto Ginastera left his massive orchestral piece Popol Vuh, which had been commissioned by Eugene Ormandy, unfinished at his death in 1983, and it was only after it was discovered by pianist Barbara Nissman that it had its premiere in 1989, with Leonard Slatkin and Saint Louis Symphony. A musical reimagining of Mayan creation mythology, it's a monumental piece that viscerally evokes a primitive world using both folk elements and sophisticated modernist techniques. The composer wrote that he was aiming for a "reconstitution of the transcendental aspect of the ancient pre-Columbian world," and the piece is fully successful at capturing that vision with music that is powerfully primal, strange, and darkly beautiful.