The pianist, composer, producer and renaissance musician Jeroen van Veen has played many concerts with both his wife Sandra and his brother Maarten, and has recorded with both of them for Brilliant Classics. The present compilation brings together a unique sequence of masterpieces for the genre in live and studio performances, made between 1992 and 2008, and given by the brothers as Piano Duo Van Veen.
Following their Navona Records debut in 2019, Duo Sequenza returns with YES… IT’S STILL A THING!, a new program geared towards building new audiences for today’s classical music and promoting the work of living composers. Comprised of flutist Debra Silvert and classical guitarist Paul Bowman, Duo Sequenza brings an enchanting and harmonious quality that showcase the complementary capabilities of their respective instruments. From emotive and introspective works to scenic vistas painted in sound, the duo once again proves their musical chops and adaptability across a wide array of compositional styles.
Air and breath form an elemental bridge between the accordion and the recorder, two instruments with no shared repertoire. In their first joint album, Inventions en folie, Marion Fermé and Ambre Vuillermoz highlight this connection through an exploration of the marriage of sounds and flexibility of phrasing, in a diverse musical program drawn from the European Baroque repertoire.
With their new CD "Hymne à l'amour" the Duo Minerva shows once again how exciting and multifaceted classical music can sound. The arrangements made with great artistry, their virtuosity and their exceptionally emotional musical style breathe fresh life into often heard works. With a lot of playfulness, the well-rehearsed duo moves between a wide variety of genres and combines classical masterpieces with contemporary avant-garde, folk music and a pinch of the yet unheard of on the subject of love - completely in Duo Minerva style.
Air and breath form an elemental bridge between the accordion and the recorder, two instruments with no shared repertoire. In their first joint album, Inventions en folie, Marion Fermé and Ambre Vuillermoz highlight this connection through an exploration of the marriage of sounds and flexibility of phrasing, in a diverse musical program drawn from the European Baroque repertoire.
With their new CD "Hymne à l'amour" the Duo Minerva shows once again how exciting and multifaceted classical music can sound. The arrangements made with great artistry, their virtuosity and their exceptionally emotional musical style breathe fresh life into often heard works. With a lot of playfulness, the well-rehearsed duo moves between a wide variety of genres and combines classical masterpieces with contemporary avant-garde, folk music and a pinch of the yet unheard of on the subject of love - completely in Duo Minerva style.
Duo Kallos presents to the audience its first studio album entitled Conversations, which is a reference to the eponymous composition by Paul Patterson performed by the artists on this CD. In addition to Patterson's composition, on the album we will find the wonderful Sonata, Op. 28 by Mieczyslaw Weinberg, Three Miniatures for Clarinet and Piano by Krzysztof Penderecki and Krzysztof Grzybowski's original transcription of the Flute (Violin) Sonata, Op. 94 (bis) by Sergei Prokofiev.
Why ‘Geister Duo’? The question often came up during the concerts. The name comes from Robert Schumann’s last piano work, the Geistervariationen, whose theme Johannes Brahms, a close friend of the Schumanns, used to compose his own Variations op. 23 for piano four hands.
Unlike many piano arrangements, all these pieces have been arranged by the composers themselves for four hands. The Piano Duo Trenkner-Speidel presents these arrangements in authentic interpretations on a sonorous Steinway concert grand piano from 1901. Evelinde Trenkner and Sontraud Speidel have recorded a whole series of CDs on MDG exhibiting their perfect symbiosis.
The voice and violin duo Duo della Luna (Susan Botti and Airi Yoshioka, respectively) brings a remarkable versatility and integrated ensemble approach to a rarefied instrumental combination. Both musicians take advantage of their impressive range to broaden the scope of expressive possibilities within this duo formation. On Mangetsu, that range is in full bloom, from Botti’s fluid text delivery in different languages and vocal styles to both performers’ virtuosic navigation of extended techniques and gymnastic passagework. Throughout, the duo is engaged in a intertwined dialogue between the two players, always balanced elegantly, with each fulfilling an equal and essential role in the musical texture. Their sensitive performances are captured in a sensual recording by Grammy award winning engineer and recording industry luminary Todd Whitelock.