Primitive Knot

George Brigman sounded like a man out of time on his rare mid-'70s debut, Jungle Rot (though it's not so rare anymore, having been reissued both legitimately and illegitimately on several labels). Unlike the oncoming punks and new wavers, he had an obvious affinity as a keeper of the flame of classic rock forms, most particularly the late-'60s/early-'70s blues-rock of British bands such as the Groundhogs. Yet if this was blues-rock, it was blues-rock the D.I.Y. way, recorded on his own with a mass of hazy distorted guitar lines…

The music of the American Westcoast from the late sixties won the hearts of music lovers around the world - and certainly also in the Netherlands. In this unique soundbook Leo Blokhuis tells what makes this music so special and gives an overview of all artists, albums and songs that matter. The four CDs contain a unique collection of beautiful songs. A must-have for anyone who loves the sunny sound of the West Coast - or who wants to discover it.

The Jackie McLean Quintet - Dynasty (1988) {Triloka TR 8002-2 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 467 Mb | MP3 @320 -> 166 Mb
Full Artwork @ 300 dpi (png) -> 26 Mb | 5% repair rar
© 1988, 2000 Triloka / Gold Circle Ent. | TR 8002-2
Jazz / Hard Bop / Post Bop / Saxophone

This is one of the great Jackie McLean albums. After nearly a decade away from recording, the veteran altoist teamed up with his son, René McLean (who triples on tenor, soprano, and flute), pianist Hotep Idris Galeta, bassist Nat Reeves, and drummer Carl Allen for a very passionate and high-powered live set. Whether it be originals by René (including "J. Mac's Dynasty") or Galeta, a very intense version of "A House Is Not a Home," or Jackie's "Bird Lives," this is dynamic and consistently exciting music. The go-for-broke solos (which transcend any easy categories) and Jackie's unique sharp tone make this an essential CD, one of the top recordings to be released in 1990.

The artist behind such infamous, progressive, cult, chamber-oriented projects as maudlin of the Well and Kayo Dot injected new life into his long-dormant solo project early last year with his first album in a decade.

Music never happens in a vacuum. The places where it is played inspire it, shape it and help it to develop; they are like an extra musician. And therein lies the creative stimulus which Siggi Loch provides as producer to Julian and Roman Wasserfuhr. He continually seeks out new contexts for their playing, and that opens up hitherto unimagined musical perspectives. After the Wasserfuhrs’ musical journey to meet the elite in Gothenburg in Sweden in 2009, and a thrilling session in hip and happening Brooklyn in 2017, the brothers, who come from the peaceful little village of Hückeswagen near Cologne, have now travelled to the South Coast of Ireland, and to John Fitzgerald’s Lettercollum Studio in Country Cork, a secret bolt-hole where several Irish and English rock stars have recorded albums.